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...learned from disappointment." The hardest partabout this most public of performances, accordingto Landin, is that "you're out there, baring yoursoul, and you want someone to give it attention.'Especially during rush hour, crowds can beinsensitive to the musical and personal risks theartists may be taking: most commuters rarely stopfor longer than a glance or scowl. "You might bedoing something really good, but no one paysattention." says Landin...
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