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...trends in Europe and New York. He reflects that “there was a real line drawn between those who thought my work was very powerful and relevant, and those who thought I was corrupting art by engaging with specific political and social issues.” But Stopforth??s art is not about anything as simple as political parties—he points out that the party he identifies with, the African National Congress, was banned at that time. Instead, his work focused on the human beings who were involved in politics. His series of drawings...

Author: By Zoe M. Savitsky, CONTRIBUTING WRITER | Title: Paul Stopforth | 4/20/2006 | See Source »

Emma J. Bloomfield ’08 created “Seed” for Paul Stopforth??s introductory drawing class, despite the lack of pencil and paper involved...

Author: By Cara B. Eisenpress, CRIMSON STAFF WRITER | Title: Finding Magic in the Mundane | 2/16/2006 | See Source »

Today’s class has been a success in Lecturer in Visual and Environmental Studies (VES) Paul Stopforth??s estimation. “Beautiful weather,” he recaps. “Extraordinary color...

Author: By Véronique E. Hyland, CRIMSON STAFF WRITER | Title: VES 113: Altered Landscapes | 11/3/2005 | See Source »

...Stopforth??s class is physics concentrator Elizabeth B. Wood ’06’s first experience with drawing—she pulls a stack of sketches full of knotted, organic tangles out of her work drawer. However, her main focus in the class right now is a sculptural project. “I found a dead tree and am trying to re-animate it,” she explains. She searches the area for parts the tree needs: she has stripped bark from branches, and found it roots (“they’re kind...

Author: By Véronique E. Hyland, CRIMSON STAFF WRITER | Title: VES 113: Altered Landscapes | 11/3/2005 | See Source »

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