Word: stoppard
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Written by Tom Stoppard...
ACTING is falsehood. Or so it is in Tom Stoppard's The Real Thing, in which a love-entangled quarter of theater people, so used to faking emotions on stage, cannot feel emotions off stage. They resort to biting wordplay that is done to the hilt in the polished but ultimately sterile Winthrop production...
...sweep the boards of the dusty verse drama that then passed for high seriousness, and of the cobwebbed comic conventions that served only a low commercial cunning. His eloquent partisanship opened the doors not just for a new moral consciousness but for fresh forms of theatrical literacy, like Tom Stoppard's bedazzling overstatements and Harold Pinter's hypnotic understatements. At Tynan's memorial service in 1980, the former turned to the critic's children and said, "For those of us who shared his time, your father was part of the luck...
...Spielberg decided to take the manly course of growing up onscreen. Adapting J.G. Ballard's fictionalized memoir of his days spent scavenging for survival in a Japanese concentration camp, Spielberg and Playwright Tom Stoppard (Travesties, The Real Thing) do a reprise of the director's favorite narrative recipe. A child is separated from his parents, confronts adversity and is reunited with them. But here the child is not abducted by poltergeists < or locked in a De Lorean time warp. Young Jim (Christian Bale) loses his way because, in the tumbledown panic of escape from Shanghai, he reaches for his precious...
...Roommate Holden, by Ward Stradlater. Borrowing a page from Tom Stoppard's "Rosencrantz and Guildenstern are Dead," the author tries to retell Salinger's Catcher in the Rye from a different standpoint. Stradlater explains that the reason Holden thinks everybody was a phony was because he was addicted to crack and suffered from severe paranoia...