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Theatergoers expecting the Next Big Thing out of DeLillo are bound to be disappointed. He is covering ground blazed by Stoppard, Beckett and Pirandello, but he is covering it well. (Interestingly enough, last year was the fiftieth anniversary of the latter's death, and A.R.T.'s artistic director Robert Brustein designed this season as a sort of tribute to Italy's greatest dead playwright...

Author: By Abigail M. Mcganney, | Title: Curtain Call: | 2/27/1987 | See Source »

...plays themselves--which Salovaara says have quadrupled in number over the past three years--run the gamut from the familiar to the never before seen. The HRDC famed trinity of Shakespeare, Shepard, and Stoppard is well-represented, as are the ranks of plays that have become movies, such as "Betrayal", "Deathtrap", "The Philadelphia Story", and "The Diary of (Not Cleared) Frank". There are also several more experimental works, including a few student-written plays. Judging by the sign-up sheets, the better-known plays attract the most actors...

Author: By Gary L. Susman, | Title: Casting Aspersions: The Audition | 2/6/1987 | See Source »

...usual Harvard staples to look forward to: Shepard, Stoppard, Shakespeare and Sullivan (with Gilbert). Also ahead of us though are Cibula, Smith, Davenport and Yang--four undergraduate playwrights getting their scripts produced. These particular plays are difficult to classify, ranging from Sweet Sins, a drama about domestic violence to A Nite-Lite, which the Common Casting pamphlet describes only as, "Urban. Absurd. Harsh. Ludicrous. Surprising. Possible...

Author: By Abigail M. Mcganney, | Title: CURTAIN CALL: | 2/6/1987 | See Source »

...garde operas, 40-foot high Lincolns and inexplicable rhinoceri--and no reviews in Newsweek either--but theater Like It Oughta Be. To underline the point, two of the playwrights that Robert Brustein named to Time Magazine as representing "the kind of theater we're not interested in"--Shaw and Stoppard--are featured in the current season at the Huntington...

Author: By Peter D. Sagal, | Title: Theatre Like It Oughta Be | 1/23/1987 | See Source »

...Stoppard's speech received frequent bursts of laughter and applause from the audience in the packed lecture hall...

Author: NO WRITER ATTRIBUTED | Title: Playwright Stoppard: Interpretation is Relative | 1/14/1987 | See Source »

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