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...hopes that the developing downturn will become known as the Volcker Recession rather than as a product of Jimmynomics. Indeed, voters do seem concerned about the climbing cost of money. One night last week, when Volcker arrived at Washington's Kennedy Center for a preview showing of Tom Stoppard's play Night and Day, a woman approached him and said plaintively, "Please, don't let interest rates stay high for too long." Replied the Federal Reserve chairman, as he removed the cellophane from his 20? Antonio y Cleopatra Grenadier cigar: "We're trying our best...

Author: /time Magazine | Title: Business: Where Is That Recession? | 10/29/1979 | See Source »

...Stoppard...

Author: /time Magazine | Title: Theater: Katt's Ploy | 10/15/1979 | See Source »

Having utilized Shakespeare to resonant effect in Rosencrantz and Guildenstern Are Dead, Tom Stoppard now offers playgoers the flippest of flip sides. In Dogg's Hamlet, the first of two interrelated playlets, Stoppard telescopes tag lines and famous scenes to distill the doings of the broody Dane into a dizzying quarter-hour of comic relief. Then he caps it off with an even dizzier reprise, a 204-word two-minute version. In the larger version, Hamlet gets as far as "To be, or not to be . . ." when Ophelia pipes up "My lord," only to be scaldingly dismissed with...

Author: /time Magazine | Title: Theater: Katt's Ploy | 10/15/1979 | See Source »

BARC certainly whizzes through its first tongue-teasing test, but dock, trog, pan and slack are still to come. As for Stoppard, this time it is hard to say whether he preys on words or words prey...

Author: /time Magazine | Title: Theater: Katt's Ploy | 10/15/1979 | See Source »

Curiously, British Playwright Tom Stoppard has used the same metaphor to make essentially the same point in his Every Good Boy Deserves Favour (1977), a 70-minute theater piece for actors and orchestra. Stoppard enlivened his schematic political lesson with wit, and so, at times, does Fellini. In the film's first half, a visiting TV documentary team interviews the musicians and gets a lively response. A flutist turns a cartwheel. A drummer attacks the piano as a "chatterbox." An insomniac trumpeter confides that with his instrument, "a clinker is death." Once anarchy takes hold, however, the idiosyncratic individuals...

Author: /time Magazine | Title: Cinema: Dissonance | 8/20/1979 | See Source »

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