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Even the stories that meander in their own cleverness until they are bogged down in Wallace's detail-obsessive word marsh are still breathtakingly smart, like a middling Stoppard play. Strange, then, is the self-doubt that creeps into most of the tales, often in the form of acknowledging potential criticisms before the reader even thinks of them. And Wallace frequently seems to wonder whether his or any art is just a foolish attempt at uniqueness in a world where we're all fundamentally the same. His final story in the collection, The Suffering Channel, is the slightly drawn...

Author: /time Magazine | Title: Books: The Horror Of Sameness | 6/7/2004 | See Source »

...Adams House Drama Society is putting on Travesties, a Tony Award-winning play by Tom Stoppard. Set in 1917 Zurich, the witty comedy follows a fictive plot involving Irish novelist James Joyce and Russian revolutionary Lenin. Tickets $10 regular, $5 students, $4 Adams House residents. Through May 1. Adams House Pool Theatre...

Author: NO WRITER ATTRIBUTED | Title: Happenings | 4/30/2004 | See Source »

...Adams House Drama Society is putting on Travesties, a Tony Award-winning play by Tom Stoppard. Set in 1917 Zurich, the witty comedy follows a fictive plot involving Irish novelist James Joyce and Russian revolutionary Lenin. Tickets $10 regular, $5 students, $4 Adams House residents. Through May 1. Adams House Pool Theatre...

Author: NO WRITER ATTRIBUTED | Title: NO HEADLINE | 4/23/2004 | See Source »

...Harvard-Radcliffe Dramatic Club presents a production of this drama by Tom Stoppard (author of Travesties, The Real Thing and Shakespeare in Love). The play, an imaginative retelling of Hamlet from the perspective of two of its minor characters, won the 1968 Tony Award for Best Play. Tickets: regular $12; students (2 per I.D.) $8; seniors: $8; groups of 10 or more $7. Through Saturday, April 17. Loeb Mainstage...

Author: NO WRITER ATTRIBUTED | Title: Happening | 4/16/2004 | See Source »

Stoppard’s heroes are the doomed, thick-headed duo of the play’s title. Though they are only minor characters in Shakespeare’s Hamlet, Stoppard allows Rosencrantz (Bobby A. Hodgson ’05) and Guildenstern (Geordie F. Broadwater ’04) to show the events in and around the play from their own shared perspective. They’re hard to tell apart; you could say that Guildenstern is the smart one, but that wouldn’t be saying much. They’re both incredibly dense, easily confused, and utterly...

Author: By Benjamin J. Soskin, ON THEATER | Title: Stoppard Brought to Life | 4/12/2004 | See Source »

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