Word: storch
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Dates: during 2000-2009
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...when he remains timeless that he’s at his best. The album’s finest track, the bare-bones “Freestyle Freestyle,” is vintage Redman. It’s no surprise that it comes from all-star producer Scott Storch, a contemporary leader of his craft. Red’s flow is silky smooth, and when he matter-of-factly proclaims on the chorus, “And everywhere I go, I kick a freestyle / And every time I move, these women freestyle,” it takes you back?...
...imperial Halloween costume. No members of the organization were able to say precisely how long HRSFA has been holding the reenactment, though Alison Miller ’08 said it has occurred for “as long as any of uscan remember.” Rachel S. Storch ’10, who played Cassius and Plebian Number One, said that the event was intended partly as an opportunity for club members to release aggression, but mostly to just “confuse the tourists.” In addition to plastic swords and scythes, the faux assassins also...
...need 50—he can write compelling songs on his own—but he really did need Dre. Although The Game tries hard to compensate for the Doc’s absence by recruiting some of today’s best beat makers, including Scott Storch, Just Blaze, Kanye West, Swizz Beatz, and Hi Tek, Dre would have executive produced a much more polished and cohesive album...
...just doesn’t quite know what else to do. Not that he isn’t a great party guy or anything. The album’s opening track, “Shakedown,” has a simple, stomping, horn-based beat (think Scott Storch in the third grade) that leaves plenty of space for Akon’s ultra-smooth tenor to fill. He does an exciting job until the gunshot repeating in the background starts shoving its way forward, breaking up the fun. “Blown Away” continues to favor toughness over...
...Fergie. On “Compton,” and to a lesser extent on the Public Enemy-jacking “Remedy,” Game transcends his obsessions with the Good Doctor and label politics and creates an organic, vivid Compton soundscape. Alas, next comes Scott Storch. He produces the same “Still D.R.E.”-derived track three or four times on the album. The result—exemplified on “Let’s Ride”—is a 50 Cent-influenced song-rap. The B-grade...