Word: stormed
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Dates: during 1950-1959
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...When the storm had spent itself, farmers and ranchers tried to assess the results. With the bad, there was good. Dodge City, Kans. soaked up 2.48 in. of precipitation, Amarillo got 1.45 in., Omaha...
Even as they totaled their losses, many of the weather-beaten farmers in the dry country could take a philosophical, hopeful view. With fresh moisture in the soil of the Southwest, said weathermen, local evaporation may keep alive the kind of storm clouds that have been drying out as they moved across the parched land. Said H. L. Jacobson, chief meteorologist for the U.S. Weather Bureau at Kansas City: "That makes for a more favorable rain situation. In that respect spring is starting off beautifully." At week's end rains washed down into the area...
...ancient pagan religion of Babylonia managed to hold out in a single city for 1,500 years after Babylonia fell. Visiting the U.S. last week, British Archaeologist David Storm Rice told how he rummaged in the almost unexplored ruins of Harran in southern Turkey. Harran was a thriving Moslem city until it was destroyed by the Mongols in the 13th century A.D., but Dr. Rice's interest goes back to 2000 B.C., when Harran was a famous center of worship of the long-bearded moon-god, Sin, giver of light and wisdom. Harran was also visited by Abraham...
...earth, and televised views of moms and sweethearts. Where such therapy does not sufice, he believes that a therapist should keep in communication with the crew by microphone and loudspeaker. Ever-present and all-hearing, he will watch from disant earth for the first warning signs of a psychological storm-to-come. By the technique of group therapy he can smooth ruffled feelings and try to keep peace on the spaceship all the way to Mars...
...impressionist landscapes, academic portraits, saccharine fairy-tale scenes-gave little hint of the revolutionary innovations to come. But suddenly (1908) the Bavarian countryside is seen in patches of fiery yellows, blues and greens. By 1910 color is triumphing over form, as a church steeple sways insanely in a polychromatic storm. Then, in the first modern, purely nonobjective paintings (1911), there emerges a separate world of Kandinsky's own, having nothing to do with external reality-a world made up of a vast orchestration of colors, exploding with light, air, energy, catapulting out of the canvases...