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...half-dollars he saved grew steadily, and for good reason. Fraiman lived like a pauper. His home was surrounded by his junkyard near Hatboro, Pa., 15 miles north of Philadelphia. He used an outhouse, burned wood in his stove, ate out of cans. He paid a marriage broker only $15 of the promised $50 fee for finding him a wife, on the theory that it might not work out. It didn't, not after she was extravagant enough on one occasion to squander $1 for a taxi ride home...

Author: /time Magazine | Title: Education: A Collection of Half-Dollars | 3/23/1959 | See Source »

...have little temple in house, and everybody live there, even after die. They always with us. I put money in temple for my father, but my mother said, 'Your father say that it's all right you spend.' So I bought coal for stove...

Author: /time Magazine | Title: BROADWAY: The Girls on Grant Avenue | 12/22/1958 | See Source »

...some small nightclub, say a polite "Thank you" (her only English words at the time). She felt lost; even the strange food bothered her. She sent to Japan for squid, waited until everyone in her apartment house had gone to bed, then cooked the dried delicacy on an electric stove. "They all get up and say, 'What's that awful smell...

Author: /time Magazine | Title: BROADWAY: The Girls on Grant Avenue | 12/22/1958 | See Source »

Ricochet. In Fort Worth, Shorty's Café resounded with gunfire because its owner hid his revolver in the stove and forgot to tell the cook...

Author: /time Magazine | Title: Miscellany, Dec. 8, 1958 | 12/8/1958 | See Source »

...moviemaker cuts from one way of life to the other, makes his points by contrast. When he looks at life in the living machine, Tati has some wonderful fun with an electric stove that has a monstrous control panel, and with a rationalized garden in which, of course, nothing grows. But it is when he looks at life on the seamy side that Tati has his grandest inspirations. There is a marvelous sequence, apropos of nothing, in which a dog leads a man on a leash. Yet surely the funniest passage in the picture is the long slow crescendo...

Author: /time Magazine | Title: Cinema: The New Pictures, Dec. 1, 1958 | 12/1/1958 | See Source »

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