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...intelligentsia. On every hand the world of letters was pleasantly stirred to hear that Mr. John St. Loe Strachey,* famed and distinguished essayist, veteran editor of the Spectator, had finally published his first novel, at the age of 65. It was recalled that his daughter, Mrs. Amabell Williams Eltis, also published her first novel, Noah's Ark, a few months...

Author: /time Magazine | Title: Foreign News: Essayist-Novelist | 10/19/1925 | See Source »

...know of any venture in journalism in the country which has brought such a breath of fresh air to the field as yours has done. Your entry into this branch of literature partakes of the character of Strachey's entry into the province of biography. Your demonstration that informative articles concerning current events need not be melancholy is a public service. You help to establish the falsity of the notion that there is no royal road to learning. Your disregard of all known conventions of journalism, and of some conventions of etiquet, is as refreshing as a julep...

Author: /time Magazine | Title: Letters: Oct. 12, 1925 | 10/12/1925 | See Source »

British Voice. Characteristically different was the attitude of an Englishman, an attitude not infrequently expressed in England of late. An unnamed correspondent, writing for the Spectator, London weekly owned by J. St. Loe Strachey, declared...

Author: /time Magazine | Title: Foreign News: On Canada | 5/25/1925 | See Source »

There, they beheld anthologies in oils, signed by Fry. A tree from Watteau, a sash from Cezanne, a tilted corner from Guy Pene Du Bois?second-hand oddments tumbled from the artistic property-trunk that is Mr. Fry's memory. Brave among them was a portrait of Lytton Strachey. His beard was dank, red, hedged, jowl and cheek; clammy were his hands; unkissed, unblessed, looked this great author. Students, painters, gazed upon him, went away muttering about the Fire, the Frying...

Author: /time Magazine | Title: Fry | 2/9/1925 | See Source »

...tendency in modern biography to be fair instead of flattering, to tell the plain facts instead of forcing the great man to conform to the thesis of the book, began with Lytton Strachey's "Queen Victoria" The new method was so interesting and compelling that later biographies had perforce to copy the manner or fail to arrest attention. But where a man has been made into a myth, as Stevenson certainly has, the task of the biographer becomes doubly hard, for he must go against accepted opinion, and people will only half believe what he says...

Author: NO WRITER ATTRIBUTED | Title: DAMAGING SOULS | 11/11/1924 | See Source »

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