Word: strad
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Dates: during 1970-1979
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Like Casals, Slava is an unabashed romantic. Cradling his Strad between his legs?or, more precisely, embracing it?he seems to pour his Russian soul into every phrase, bowing long, singing lines with a subtle eloquence and a purity of tone. His technique is flawless. Modern composers lay finger-mangling minefields in the thickets of their pieces, but Rostropovich negotiates them with cheerful ease. "I don't even know why my hands do certain things sometimes," he says. "They just grab for the notes." His dynamic range, from the greatest fortissimo down the line to a pianissimo that comes...