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Most Hollywood films appear to be turned out by a faceless corporation, and this is one reason why foreign films are popular among those who seek the sense of an artist's mind behind the completed work. There is such a single central intelligence behind La Strada: that of Federico Fellini, who wrote the screenplay (with a collaborator whose name the ticket-taking girl at the Brattle could not divulge), and directed. The questions that La Strada raises, then, resolve around Fellini. For me they are two: What is he getting at, with this superbly made story of two most...

Author: By Julius Novick, | Title: La Strada | 10/14/1958 | See Source »

...story has its pathos; but as the picture tells it, the tale is all too often merely pathetic. The fault lies chiefly with Director Federico Fellini. the brilliant creator of I Vitelloni, who has revived the bathetic excesses of La Strada without its noble brutalities. As for Fellini's wife, Actress Masina, she gives, almost gesture for Chaplinish gesture, the performance that made her famous as the idiot girl in La Strada. It's a case of the right part in the wrong picture...

Author: /time Magazine | Title: Cinema: In the Meantime | 11/18/1957 | See Source »

Vitelloni. One of the best of the Italian-made movies-a biting but not bitter satire of small-town life, by Federico Fellini, who directed La Strada (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Apr. 8, 1957 | 4/8/1957 | See Source »

...Actor: Kirk Douglas in Lust for Life (Critics), Yul Brynner in The King and I, Anastasia and The Ten Commandments (Board). Best Actress: Ingrid Bergman in Anastasia (Critics), Dorothy McGuire in Friendly Persuasion (Board). Best Screenwriter: S. J. Perelman for Around the World (Critics only). Best foreign film: La Strada (Critics), The Silent World (Board...

Author: /time Magazine | Title: Cinema: Critics' Choices | 1/7/1957 | See Source »

...Director Elia Kazan gave Quinn a good part in Viva Zapata!, and he won an Oscar as the year's best supporting actor. In 1954, while on a visit to Italy, Quinn made a memorable meatball of the carnival strongman in Federico Fellini's La Strada, and last year he produced a vivid portrait of a genius as Painter Paul Gauguin in Lust for Life. The critics raved, and everybody seemed to agree that nothing was too good for Actor Quinn. Nevertheless, in his two latest pictures, just about the most significant thing his employers have permitted...

Author: /time Magazine | Title: Cinema: Man in Need of a Shave | 12/31/1956 | See Source »

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