Word: straits
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Dates: during 1960-1969
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...Manhattan and its escort cut gingerly from Resolute into the Barrow Strait, radar operators spotted a blip on their screens. The interloper, probably a rubbernecking Soviet submarine, remained faithful through the passage. Beyond the strait, the Manhattan faced the most dangerous leg of the journey -Viscount Melville Sound and, finally, ice-choked McClure Strait. An elaborate scouting system went into action. A Canadian DC-4 survey plane, with a special ice-scanning dome, surveyed the 1,100-mile passage. Photographs were taken of the route just ahead and dropped to the Manhattan for study. Two helicopters, based on the ship...
Once free, the Manhattan set off to make history by attempting to plow through McClure Strait, the unpenetrated gateway to the relatively open water of the Beaufort Sea. The ship churned through 120 miles of ice before encountering a series of polar ridges and a field of thickly compressed ice. Again the call went out to the Macdonald: "Would you please come along our flanks and nibble some...
Fear of Conseouences. The captain finally decided to abandon the McClure challenge, and the ships turned around and headed for the less hazardous Prince of Wales Strait. As the Manhattan cleared the last patch of ice, the crew and guests poured champagne to celebrate. From there, it was only 500 miles of open water to the oilfields at Prudhoe Bay, Alaska...
...East Coast, the 115,000-ton tanker Manhattan last week pushed its way through the Arctic ice pack. Officers from the Manhattan reported optimistically that shipping through the Northwest Passage was a commercially practical proposition-though that was before the vessel got stuck in the ice in the McClure Strait. The Manhattan broke loose 24 hours later and headed toward the Beaufort Sea. Should the Manhattan's voyage be successful, the way will then be clear to bring Alaska's wealth of iron, zinc, copper and sulphur readily to market as well...
...takes on a new depth echoed in the final images of her singing. Jannings charges offstage to kill her; her flight is shot in high-angle, expressing the degree of freedom in even Jannings' most desperate action. Indeed, Sternberg cuts away to a doorway rather than showing Jannings being strait-jacketed. Later released, he returns to his old school desk to die the death of all Expressionist heroes. But Sternberg ends the film with shots of Dietrich, the burning Romantic figure and object, so that even in the person of the protagonists Sternberg's system triumphs over the Expressionistic scheme...