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...help renovate buildings on the National Register of Historic Places can write off their contributions in only five years. Declared Pritchard: "We're saying let us work with you and you do it." Though 130 theaters are listed on the National Register, as yet only two-the Strand in Shreveport, La., and the Paris in Portland, Ore.-have benefited from the tax incentive...

Author: /time Magazine | Title: Living: Lighting the Darkened Palaces | 5/5/1980 | See Source »

...other roles are well cast, but only Tony Roberts' gay Hollywood magnate is clearly drawn. Dina Merrill, while quite nutty as Max's institutionalized wife, is left stranded between farce and tragedy. The playwright is inconsistently written as both a pretentious aesthete and an idealized heartthrob; finally his plot strand peters out, and poor Weller disappears without explanation. By then, Allen and Lumet have forsaken both laughter and romance for some muddy philosophizing: Hollywood deal making, it abruptly turns out, is a metaphor for male-female relationships. Maybe so, but it is hard to believe that the creators...

Author: /time Magazine | Title: Cinema: Cross Talk | 2/25/1980 | See Source »

...Strand and Adams had met in Taos, N. Mex., in a friend's house. Adams saw no prints, only negatives. He remembers looking over Strand's shoulder as he checked and sorted them: "It nipped me out. That was the first time I saw photographs that were organized, beautifully composed. Strand was the turning point. I came home thinking, 'Now photography exists!' " Soon afterward he met Edward Weston and saw his work. What came out of these meetings was Group f/64, formed in San Francisco in 1932, consisting chiefly of Weston, Imogen Cunningham, Willard Van Dyke and Adams...

Author: /time Magazine | Title: Master of the Yosemite | 9/3/1979 | See Source »

...three years later, his first show. Stieglitz appeared to him (as to many other American artists, including Georgia O'Keeffe, whom Stieglitz married) as a father confessor of unfailing probity. "I am perplexed, amazed and touched at the impact of his force on my own spirit," he wrote to Strand. "I would not believe before I met him that a man could be so psychically and emotionally powerful...

Author: /time Magazine | Title: Master of the Yosemite | 9/3/1979 | See Source »

Consider the market history of the late Paul Strand's work. Fifteen years ago, his platinum prints sold for $125. In 1972 they were still a bargain at $1,500. Today a good Strand...

Author: /time Magazine | Title: Art: The Photo Boom | 9/3/1979 | See Source »

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