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...THIS disregard for "what the world looks like" that many visitors to "Photography Unlimited" will no doubt find disturbing and even offensive. Those who admire the documentary realism of Edward Weston, Eugene Smith and Paul Strand--artists who sought the "perfect negative"--may find Karen Truax's handcolored photographs of surrealistic landscapes or James Friedman's mixed media collage made of multiple images of a woman's face, a hammer and a broken window, irritatingly enigmatic and uncommunicative...

Author: By Susan Cooke, | Title: Photography of the Future | 10/2/1974 | See Source »

...first photography course cost 15 dollars at the International Correspondence school in Scranton, Pa. But her associates would come to include such major photographers as Edward Weston, Ansel Adams and Dorothea Lange. Hilton Kramer of the New York Times says that "Like Paul Strand's, her work has a double claim on our attention. It belongs to history and at the same time it is part of the contemporary scene. On both counts, it is of exceptional interest." In the past year, Imogen Cunningham has had one-woman shows at both the Metropolitan Museum and New York's prestigious Witkin...

Author: By Kathy Garrett, | Title: Imaginations | 9/26/1974 | See Source »

...this is to show that Imogen Cunningham has been a very good photographer for a very long time. She is a portraitist. In the mid-1920s, influenced by the photographs of Paul Strand, she did a series of intense studies of plants, and even these are portraits. She bears down on a single bud or stalk and reveals the uniqueness of a living thing in the same way she concentrates on a human face and reveals its essentials. For her, Ansel Adams glares down from the top of a mountain, tripod slung over his shoulder, finger jabbing...

Author: By Kathy Garrett, | Title: Imaginations | 9/26/1974 | See Source »

...President becomes starkly coherent when he is angry, at other times lapses into mushy talk. John Dean has a voice that cuts through like a buzz saw -evenly, consistently. Haldeman and Ehrlichman talk of people as if they were numbers, totally expendable. Mezvinsky strains to pick up a strand of concern for the national interest among these men. They talk about saving themselves, each other, about "modified limited hangout," about p.r. "But they never mention what is best for the country," he says. He gets a chuckle out of the fact that Nixon may give a man a hard verbal...

Author: /time Magazine | Title: THE PRESIDENCY by HUGH SIDEY: We Cannot Run Away | 6/24/1974 | See Source »

...production is a revue of Jacques Brel songs arranged and translated by Eric Blau and Mort Shuman. I'm not sure whether the strength of the lyrics is more properly attributed to their translation or to Brel himself. Perhaps both. A strand of bitterness runs through the songs, and a singer tells us, "Jacques Brel is bitter, but that's because he's in rapport with the world...

Author: By Marni Sandweiss, | Title: Alive and Moving | 4/23/1974 | See Source »

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