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Possibly this tone of civilized irreconcilability stems from a feeling on the part of Australian Director Peter Weir (Picnic at Hanging Rock, Gallipoli) that he was himself a stranger in a curious corner of a strange land. But for whatever reasons, the distinguishing marks of Witness are its refusals. Book may help with a barn raising, and win respect for his carpentry, but that does not make him anyone's new best friend. Rachel may dance with him to a tune they hear on his forbidden car radio, or finally embrace him hungrily, but that does not mean that they...

Author: /time Magazine | Title: Cinema: Afterimages Witness | 2/18/1985 | See Source »

...WINTER in New York and everything, even the usually yellow snow, is in grainy black and white. This is Stranger Than Paradise, Jim Jarmusch's independent film that won the 1984 "Newcomer's" award at Cannes in May. The story of its evolution is near-legendary by virtue of a graceful coincidence: over three years ago, Wim Wenders director of Paris, Texas, the 1984 Cannes Palm D'Or grand prize winner, had given Jarmusch the leftover film stock which was to become the 90-minute Stranger than Paradise. Since then, Jarmusch has been punch-drunk on interviews, coaxed into heralding...

Author: By Susan Morris, | Title: Where's the Beach? | 2/15/1985 | See Source »

...Stranger than Paradise is certainly a remarkable film, technically and dramatically. The camera follows Willie (John Luric). Eddie (Richard Edson) and Willie's Hungarian cousin Eva (Eszter Balint) as they drive from New York to Cleveland to Miami Beach in search of fun and excitement. They don't find any, but they do find a grainy black and white America and some money. Not quit paradise...

Author: By Susan Morris, | Title: Where's the Beach? | 2/15/1985 | See Source »

...Stranger than Paradise feels gritty and honest. Jarmusch's black and white landscapes are bleak, almost neutral: the Florida beach looks like Ohio without snow. As Eddie mumbles. "It's funny. You come to someplace new and everything looks the same." All of Jarmusch's spaces are defined: landscapes are linear and static, interiors bordered by walls and corners (compared to Wenders' romantic and rambling Americana deserts). This "new style of American filmmaking" is so ironic it makes your teeth hurt, but it's also witty and incisive. Paradise is a strange portrait of young Americans and new immigrants, looking...

Author: By Susan Morris, | Title: Where's the Beach? | 2/15/1985 | See Source »

...other rock crowds, no feeling of physical menace. Dead Heads cherish stories of Dead niceness. Kathleen from New Hampshire says that last fall at Augusta, Me., she was stopped at the door when someone sold her a counterfeit Dead ticket. She was sitting outside the hall, crying, when a stranger came up and gave her a real ticket, and a rose. But drug burnout is a problem among these nice people. Keep your ears open just before a concert and you hear an LSD vendor saying, "Trips, trips," without moving his mouth. "Yeah," says Monica from Santa Monica, Calif...

Author: /time Magazine | Title: In California: the Dead Live On | 2/11/1985 | See Source »

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