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LEAVING OUT ANY of the undercurrents of unrest that were present in the country, we are supposed to see, in our ignorance, that the '50s were bliss. But if you simply look at some of the stranger, not-so-cutsey offbeat things that were occuring in this country, you can see that these undercurrents were very strong, heralding whirlpools ahead. One of the best examples of this is the strange phenomenon of James Dean. Dean, who has survived in a few cryptic songs and three movies, does not seem to have made of an impact on the collective memory...

Author: By Tom Hines, | Title: Distorted Hindsight | 1/4/1979 | See Source »

...producer of ABC's Eisenhower TV-movie. "Despite all the tremendously creative ideas that come out of Hollywood, none of them equal what happens in real life. Some of these films can be sensational. There's no doubt about it." Beatty adds: "There are lives that are stranger than fiction...

Author: /time Magazine | Title: Show Business: A Flood of Film Biography | 1/1/1979 | See Source »

...tangled roots of the cypress trees are visible above the water line. One lone fisherman pilots his boat across the darkening surface. "It's best to keep on driving," a young Wilmot woman advises cheerfully, suggesting that there is nothing much in Wilmot to detain a passing stranger. But that has not proved true in the case of Dr. Thieu...

Author: /time Magazine | Title: In Arkansas: An M.D. from Saigon | 12/18/1978 | See Source »

...temple swelled with new members-up to 20,000, Jones claimed. But his services became stranger and stranger. Jones would "heal" parishioners by pretending to draw forth "cancers" that actually were bloody chicken gizzards...

Author: /time Magazine | Title: Nation: Messiah from the Midwest | 12/4/1978 | See Source »

...SPUNK of the quick parting shot, "52nd Street," confirms that Billy Joel is still full of life; but it is an unsatisfying end to an unsatisfying album. Joel said he wouldn't stagnate with the sound of The Stranger, and this latest album certainly represents a departure. But there is a loss of verve and expression here which disturbs the long-time Billy Joel fan. It's good music, but not up to Billy Joel quality. His success lies in the character that has pervaded his music, and on 52nd Street, we get it only in fleeting moments...

Author: By Mark D. Director, | Title: A Spirit Departed | 11/13/1978 | See Source »

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