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...stretched to a ridiculous length. In one scene, the train Wilder is on jolts, and Wilder's sleeping wife is thrown to the seat opposite her and a male passenger takes her place. Wilder, who does not realize what has occurred, begins cooing to, kissing and petting this stranger. For a while, this is very funny, but it quickly falls flat and hardly deserves the five minutes it gets...

Author: NO WRITER ATTRIBUTED | Title: Gags And Other Buffoonery | 1/10/1978 | See Source »

...popularity of side one, the album's second side has remained obscure. For six years, Billy Joel has been turning out superb music that has gone relatively unnoticed, and the success of the four cuts on side one of The Stranger is a first for him. It seems that the listening public has now accepted the Billy Joel who has been around for years, but they are not yet ready to accept his new experiments--or as he calls it, "a face that we hide away...

Author: By Mark D. Director, | Title: More Than Just a Piano Player | 1/9/1978 | See Source »

...musician who appears on stage in a gray business suit with a conservative tie and white Pumas has a wealth of talent. An innovative album like The Stranger is a welcomed addition to Billy Joel's music...

Author: By Mark D. Director, | Title: More Than Just a Piano Player | 1/9/1978 | See Source »

...Stranger has suddenly earned Billy Joel the airplay he has lacked in the past is a mystery, especially to his long-time fans. The Stranger is a solid album with a particularly good first side, but it is certainly no stronger than Turnstiles, and not nearly the phenomenal collection of songs that made up Piano Man. Still, with a second consecutive solid album (after a weak follow up to Piano Man called Streetlife Serenade), Joel has reassured his fans and impressed upon new listeners that his tremendous talent will leave a lasting impression on the pop musical world...

Author: By Mark D. Director, | Title: More Than Just a Piano Player | 1/9/1978 | See Source »

ALTHOUGH The Stranger has ended his absence form the airwaves, it has not succeeded in getting the listening audience to accept Joel's diverse talent. To most, Billy Joel is still a stranger: they know him only as the piano man. But Billy Joel is much more than that, and The Stranger demonstrates his range of abilities. The experimentation of side two is still a bit rough, but Joel should not abandon his experiments. Along with the attempts at diverse types of music, Joel might do well to return with some instrumentals like "Root Beer Rag" and "The Mexican Connection...

Author: By Mark D. Director, | Title: More Than Just a Piano Player | 1/9/1978 | See Source »

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