Search Details

Word: stranger (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Branigin means to control those 63 votes during the first ballot in Chicago, and to do that he must beat Robert Kennedy and Eugene McCarthy in the primary. If, along the way, he became the party's candidate for Vice President, well, says the Governor about half seriously, "stranger things have happened...

Author: /time Magazine | Title: Nation: The Hoosier Plank | 4/26/1968 | See Source »

SPARKED by brilliant musical performances and their sophisticated simplicity and variety of arrangement, the songs evoke, at different moments, Dylan's lyricism and the Lennon-McCartney precocity. Singing goodbye to "First Girl I Loved" (now 'a grown-up female stranger"), Williamson uses one of his awkwardly sensitive metaphors; "But in the white hills and behind many a long water, you have gathered flowers; and they do not smell for me." Heron, in "Painting Box," imagines himself out of a dark world: "My Friday evening's footsteps plodding dully through this black town are far far away now from the world...

Author: By Jack Davis, | Title: Incredible Band | 4/25/1968 | See Source »

...major part in an intensely personal, equally harrowing, romance between the film-maker and what his mind projects through a camera onto a screen. Both films employ the simplest dramatic premises as foundation for an exploration into the diverse often-abstract preoccupations of their auteurs. Both Lady Jane and Stranger are as much about their creators as their subjects. They prove if nothing else, that the films of people whose cameras are too small for anyone but themselves to run intimately mirror the force of that director-cameraman-cutter...

Author: By Tim Hunter, | Title: Two Student Films | 4/16/1968 | See Source »

...different tack, Herba's I'm A Stranger Here Myself describes a boy's unmotivated need for an unspecified amount of money, and more properly investigates the relationship between actors, film, color, and light. Constantly in motion from interiors to exteriors in single hand-held takes, Herba's film makes an intense observation of how a given light setting will appear different under different conditions: the boy is walking down an overexposed street, he ducks into his car, the camera ducking with him, and is suddenly in perfect exposure...

Author: By Tim Hunter, | Title: Two Student Films | 4/16/1968 | See Source »

Herba's central purpose is best defined by shots where the boy alters the light conditions of a room by playing meditatively with the settings on a three-way bulb. Herba makes difficult things look easy; Stranger, for its effortless appearance, is remarkably stylized, proving an entirely successful blend of hand-held and static movement, zoom and fixed-focal-length photography, day-and-night and interior-and-exterior footage--a true synthesis which creates a film reality...

Author: By Tim Hunter, | Title: Two Student Films | 4/16/1968 | See Source »

Previous | 443 | 444 | 445 | 446 | 447 | 448 | 449 | 450 | 451 | 452 | 453 | 454 | 455 | 456 | 457 | 458 | 459 | 460 | 461 | 462 | 463 | Next