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...last poem in the collection provides a striking contrast to "During the Eichman Trial." "A Solitude" dissects a fleeting emotion: the poet sees a blind man, and is overcome with a feeling of "strange joy/to gaze my fill at a stranger's face." It is a remarkable poem, and it illustrates Miss Levertov's talent to perceive and see meaning in the seemingly inconsequential aspects of our lives...

Author: By R. ANDREW Beyer, | Title: San Francisco Poetry | 3/7/1963 | See Source »

...talents of Timothy Mayer and Michael Ehrhardt), his smoothest drama. But there is too much mummery, too many blood red bubbles in the well and strange noises in the night, for the midsection to cohere; it collapses under a load of unnecessary mysticism and unnecessary explication which the Stranger (Philip Kerr) most represents...

Author: By Robert W. Gordon, | Title: The Pageant of Awkward Shadows | 3/1/1963 | See Source »

...Victorian martinet. Ustinov's conclusions are not startling: that young radicals become old conservatives, that sons understand and forgive their fathers too late; that marriage is more a football, than an Elysian field. The comedy's chief impression is faintly melancholy, that man is a hostile, disdainful stranger to himself at any age except his present...

Author: /time Magazine | Title: Theater: Show Bet | 2/22/1963 | See Source »

...Stranger Knocks. A woman opens the door. It is raining and she asks him in. He says he wants to rent a cottage like hers, a solitary house by the sea. She offers him supper and a bed for the night. He accepts with apparent gratitude, but when she closes her bedroom door he goes gliding silently from room to room like a weasel on the lurk. The next morning, with many thanks for her hospitality, he leaves to catch a bus, but several hours later he is back. "Missed it," he says with an ingenuous smile. He stays another...

Author: /time Magazine | Title: Cinema: Danish Shocker | 2/15/1963 | See Source »

Tough Trick. Adriana may be a stranger to U.S. and English audiences, but the opera is a repertory staple in Italy. Composer Cilèa (pronounced che-lay-ah) wrote it when he was 35, and it established his reputation. He coasted on it from its premiere in 1902 until his death in 1950. It is a respectable enough opera, reminiscent of Puccini in its throbbing arias and duets and in its yearning strings. It even has a predictably pathetic ending, in which the heroine is punished for the crime of having fallen in love...

Author: /time Magazine | Title: Opera: New Shape, New Song | 2/1/1963 | See Source »

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