Word: straubing
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JOSEPH J. STRAUB Rochester...
...Alex Spector, who gave up only two goals in four games last year and has a one-goal average this season. On the fullback line, Penn has Art Swanson, a starter for three years and second team All-Ivy; John Vroman, co-captain and All-Ivy; and sophomore Bill Straub. Straub's specialty is scoring goals with headshots on cornerkicks...
...exciting schedule of any of the courses; students enrolled in the course will have a chance to see films that are rarely, if ever, screened in the Boston area. Definite booking has already been made for Glauber Rocha's "Antonio das Mortes" and "Black God, White Devil," Jean Marie Straub's "The Chronicle of Anna Magdelena Bach," and Bertolucci's "The Partner." There is also a possibility that Rohmer's "Ma Nuit Chez Maud" will be screened...
Also on the program is a short feature by the young German Jean-Marie Straub. He has obviously read enough Bazin to know that objects and settings are crucial to films. His application of this, however, is to give the audience a shot of a setting, have the actors walk in and perhaps rearrange some objects, and finally leave the audience to contemplate the setting some more. Straub apparently does not like to cut within a scene, the result being a tremendous number of disconnected short sequences which leave one with no sense of what one character is trying...
Unlike all the directors of Paris Vu Par, Straub has never developed a dynamic sense of the frame, one which puts people, settings, and objects in a framework where they interact. The critical consciousness of the French directors literally make their films what they are. For Straub it is not critical consciousness but self-consciousness. The difference between Paris Vu Par and not Reconciled is the difference between well applied film theory and hastily applied Ideas About Film