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...Kissin’s hands, the hideously difficult becomes the sublimely simple, even if the material is third-rate fluff. Scriabin’s D-sharp minor Étude (Op. 8, #12) was next (a nod to Horowitz), followed by an arrangement of waltzes from Johann Strauss??€™ Die Fledermaus—again, breathtakingly impressive. Still, I can’t help but wonder how much more enjoyable it would have been had Kissin challenged us a little more musically. The warhorses and bon-bon encores were nice, but when will Kissin tour with a work...

Author: By Anthony Cheung, CRIMSON STAFF WRITER | Title: K-I-S-S-I-N | 10/26/2001 | See Source »

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