Word: strausses
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Dates: during 1950-1959
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...freshman team, ideal this weekend, last night elected as captain for the rest of the season freestyler John Bidwell Millard, of Newton and Strauss Hall. He captained the Hebron Academy team last year...
...livened up the staid old Metropolitan Opera with an infusion of vitamins, last week gave the Met a shot of champagne-and one of the greatest triumphs of its 67 years. For his third new production of the season, he resurrected that bubbly old favorite, Die Fledermaus, of Johann Strauss (the Younger), which had not been heard at the Met since 1905. As he had with Verdi's Don Carlo (TIME, Nov. 13), Bing rechristened it with just the right flourish by enlisting some bright new help imported from Broadway for the occasion...
...give Strauss's 76-year-old Viennese farce of double identities and doubles entendres a shining new face,* he called on Playwright-Director Garson (Born Yesterday) Kanin. Lyricist (Inside U.S.A.) and M-G-M Vice President Howard Dietz supplied Kanin's "free adaptation" with a new English-speaking voice. Designer Rolf Gerard was recruited to repeat his earlier scenic success with Don Carlo; pint-sized Conductor Eugene Ormandy was borrowed from the Philadelphia Orchestra. The only thing not touched: Strauss's score, which, says Kanin, was "protected like a delicate child...
Whirling through Strauss's waltz-time score, the Met orchestra never sounded better. As Dr. Falke (Fledermaus), the source of the operetta's intrigues, suave Baritone John Brownlee sang and acted with aplomb. Dressed to the teeth in a scarlet and white uniform and waving an 18-in. cigarette holder, Mezzo Soprano Risë Stevens brought the house down in her entrance as the bored host, Prince Orlofsky...
...first. It was originally a French play called Le Réveillon (The Awakening), written by sometime Offenbach librettists Henry Meilhac and Ludovic Halévy in 1872, and based on a Berlin comedy of 1851. Strauss set a German adaptation to music two years later. Since then, it has been called, in various productions, A Wonderful Night, Fly-by-Night, The Merry Countess, Champagne Sec, etc., and, in the latest Broadway version (TIME, Nov. 9, 1942), Rosalinda...