Word: strausses
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Dates: during 1950-1959
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Down with Egoism! To French dismay, every other NATO member lined up behind the U.S. in defense of integration. Even though De Gaulle has assiduously courted the West Germans, Defense Minister Franz Josef Strauss pointedly condemned "special egoistic interests within NATO." And many of the French themselves made it plain that they were out of sympathy with De Gaulle's position...
...Academy of Music in Stockholm. Delayed by the war, she made her first real splash in 1947 with the Stockholm Opera singing Verdi's Lady Macbeth. Gradually she developed a repertory that now includes all the Wagnerian soprano parts, many of the great roles of Verdi, Puccini, Richard Strauss, plus an assortment of contemporary roles. Two and a half years ago (TIME, June 3, 1957), her Isolde at Florence's Maggio Musicale was one of the great Wagnerian performances of the decade...
...Neither family background nor efficient handling of New York state problems should obscure this fact. The incidental agreement with his views on nuclear testing on the part of Dean Acheson and Harry Truman is therefore less significant than the more basic congruence of his views with those of Teller, Strauss, and Bill Buckley. Derek Hudson, Arlington, Mass...
...Metropolitan Opera likes to keep one or two operettas in its repertory, if only for purposes of New Year's Eve entertainment. In the past, Manager Rudolf Bing has done well with Strauss's Die Fledermaus and Offenbach's La Péri-chole. Last week the Met unveiled a dazzling production of another Strauss operetta, The Gypsy Baron. While it might please properly champagned New Year's Eve audiences, the Met's Gypsy is more than half a failure for ordinary, year-round consumption...
...credit side, and almost worth the price of admission, is Johann Strauss's delightful score, notably the famed Treasure Waltz, a melting Act II love duet, and plenty of Hungarian themes, both martial and melancholy. Another plus: Designer Rolf Gérard's brilliant costumes and sets, particularly a Viennese throne room almost handsome enough to bring back the Austro-Hungarian monarchy. Heavily on the minus side are a preposterous libretto, not aided by Translator Maurice Valency's English lyrics, and Cyril Ritchard's uncertain direction...