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Even Europeans who dislike pacifists, fear Reagan's "star wars" push. Hardliners such as Franz Josef Strauss, the leader of Germany's conservative wing, have protested America's plans. These Europeans worry that strategic defensive systems would "de-couple" the U.S. from Europe. If the superpowers were to develop a workable ABM system--a big if--then the American nuclear guarantee would no longer be credible. The Russians could invade Europe without having to worry about an American intercontinental nuclear response...

Author: By Per H. Jebsen, | Title: Space Cadet | 4/28/1984 | See Source »

...NATO Pershing II missiles, East German Leader Erich Honecker spoke of the need to "minimize the damages" to East-West relations. Since then, he has welcomed Kohl to East Germany, conferred with opposition Social Democratic Leader Hans-Jochen Vogel and negotiated trade credits with Bavarian Leader Franz Josef Strauss, a staunch antiCommunist. Later this year, in his first official visit to West Germany, Honecker will make a nostalgic trip to his home town of Wiebelskirchen. Most auspiciously, perhaps, East Germany has allowed more than 19,000 of its citizens to emigrate to the West since the beginning of the year...

Author: /time Magazine | Title: East Germany: Bridge over an Infamous Wall | 4/23/1984 | See Source »

...humor. Her cackling laugh and marvelous expression convey her character's wifty lunacy. Everything she knows she has learned from television; she rants and raves about the savagery of the Third World as she plans to boil her husband "like a lobster--lobsters don't feel pain." Guy Strauss as Mitch, the butt of most of these jokes, plays the vegetable (or lump, or carrot) brilliantly; when he begins to recover towards the end, his twitches and moans are appallingly funny...

Author: NO WRITER ATTRIBUTED | Title: Vegetable Garden | 4/10/1984 | See Source »

...clear that the brilliance of Celibidache (cheh-lee-bee-JaA-keh) is no myth. The performance is almost preternaturally nuanced, unfolding with a sure sense of logic and purpose. Even during the patented Rossini crescendos, Celibidache maintains a calm yet iron control, putting the listener in mind of Richard Strauss's dictum that only the audience should sweat at a concert, never the conductor. In the first section of Debussy's Iberia, Celibidache's unerring grasp of detail evokes a Spanish haze that shimmers like the heat off a Madrid sidewalk in midsummer. The cool, nocturnal redolence...

Author: /time Magazine | Title: Music: Celibidache's Rumanian Rhapsody | 3/12/1984 | See Source »

More warily than their pop music colleagues, serious composers have taken notice. An instrument that can reduce the forces needed to perform Strauss's Also Sprach Zarathustra from a 100-piece symphony orchestra to a couple of keyboards, electrical outlets and multitrack stereo tape is obviously something to be reckoned with, even if its characteristically metallic tones and dispassionate air will never replace the luster or emotion of a Berlin Philharmonic. But experimenters such as Anderson, Glass, Pierre Boulez and Morton Subotnick are seeking to conjure new sounds in such works as Subotnick's Silver Apples...

Author: /time Magazine | Title: Music: Switched-On Rock, Wired Classics | 2/27/1984 | See Source »

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