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Word: strayed (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Plodding Along. Palmer did not do badly the next day, either: a one-under-par 69. But that was only good for second place, a stroke off the pace set by a curly-haired Californian named Tommy Jacobs, 29. Only twice all afternoon did Jacobs stray from the fairway; only twice did he fail to reach a green in par figures; and he did not miss a single putt under 12 ft. Jacobs' six-under-par 64 tied for the lowest score ever recorded in a U.S. Open. In all the excitement, who was going to notice Ken Venturi...

Author: /time Magazine | Title: Golf: After the Avalanche | 6/26/1964 | See Source »

...with his schoolteacher wife and three children in a mortgaged, three-bedroom house in Panama City. He held a string of government jobs before Chiari appointed him Minister of Government and Justice in 1960. Panamanians quickly found him to be an honest, extremely determined administrator. When he noticed that stray cattle were causing a number of serious auto accidents and that nobody was doing anything about it, Robles ordered National Guard patrols to shoot all cattle found on highways. Influential cattlemen raised a storm but finally fenced in their herds...

Author: /time Magazine | Title: Panama: More Votes than Crowds | 5/22/1964 | See Source »

...STRAY DOG. A rookie detective (Toshiro Mifune) tracks a killer through the Tokyo underworld in a newly imported 1949 melodrama by Director Akira Kurosawa, which stirs up the rubble of postwar Japan...

Author: /time Magazine | Title: Television: Mar. 27, 1964 | 3/27/1964 | See Source »

...Stray Dog, made in 1949 by Japanese Director Akira Kurosawa, is a less expert thriller but a deeper movie than his recent High and Low. Both are cops-and-robbers chase films, starring Toshiro Mifune. But the older work, aglow with zest and freshness, displays abundantly two qualities of Kurosawa's ripening genius: the ability to make moving pictures move, and an aching compassion for his fellow...

Author: /time Magazine | Title: Cinema: Tokyo Manhunt | 3/13/1964 | See Source »

...Kurosawa uses plot merely as a device to view postwar Japan-a nation laid waste, exhausted in defeat, sorting out by slow social processes the stray dogs that forage among the ruins. Though the film runs two hours, much longer than necessary, its best scenes are unforgettably good. Cheering throngs at a Tokyo baseball stadium provide background for one tingling chase. In a city overcome by heat, the camera searches a line of chorus girls collapsed on a dressing-room floor, flesh glistening with sweat, each face a breathless distillation of despair. After a murder, a closeup of a splattered...

Author: /time Magazine | Title: Cinema: Tokyo Manhunt | 3/13/1964 | See Source »

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