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Another California artist who sees cars as art is Tom Sewell. Sewell's "Picklecar" looks like a cross between a giant cucumber and a stray automobile. Actually "The Picklecar" is a 1950 Studebaker that has been sprayed with polyurethane foam, and painted a loud and ugly shade of green. "The Picklecar" is bizarre to the point of being offensive, and indeed, the Los Angeles Police impounded the car after someone complained about it being parked in front of their house...

Author: By Henry W. Mcgee, | Title: Auto Art: Defiling America's Deity | 2/9/1973 | See Source »

...tickets to Neil's Music Hall shows. This is the stuff dreams, and cult heroes, are made of. Neil's in the middle of a three-month tour of the whole country, and, while I wouldn't go across Stuart Street to see Neil Young (with or without the Stray Gators) there are an awful lotta people who would, like roughly 25,000. My roommate wanted nothing more than to see Neil Young, but that was before Harvest. I'm inclined to agree; it's been artistically downhill for him ever since the momentary flashes of brilliance on After...

Author: NO WRITER ATTRIBUTED | Title: Pop | 2/8/1973 | See Source »

...survivors-all men and all but one 26 years or younger-were rescued after two of them had struggled down the mountains in an epic ten-day hike. The pair encountered a stray shepherd, and four climbers of Chile's Andean Rescue Corps helicoptered in to bring out the remaining 14. Some survivors had lost as much as 60 lbs., and six required hospitalization for injuries; otherwise, they were in remarkably good condition despite having spent more than two months on a snow-drenched mountain. Only when the rescuers discovered that nine bodies near the wreck had been strangely...

Author: /time Magazine | Title: The World: Cannibalism on the Cordillera | 1/8/1973 | See Source »

...separate entity. For Winnie (Jessica Tandy), who is buried up to the waist in Act I of Happy Days and up to the neck in Act II, life is a slow, garrulous leak into the sands of death. The trivia of her handbag and stray threads of memory sustain her, together with a fossil of a husband who is scarcely seen and seldom heard. In Krapp's Last Tape, the dialogue is incestuous. A 69-year-old man (Hume Cronyn) communes with his recorded self of earlier birthdays and indulges a ravenous appetite for bananas. Krapp is another...

Author: /time Magazine | Title: The Theater: In the Mind's I | 12/11/1972 | See Source »

...then, how restlesse do's she stray...

Author: By Kenneth Hoffman, | Title: Retreat From Indifference | 10/31/1972 | See Source »

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