Word: stream
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Dates: during 1950-1959
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...honor duels; and there is Mildred Natwick, as the wife, gorgeously spewing bedroom billingsgate and hilariously shifting from an invalid's helplessness to an athlete's violence. But out of the mouth of farce-like cold water from the mouth of a fountain gargoyle-flows a stream of cold wisdom. Anouilh uses the coarse, truthful exaggerations of caricature deliberately to offset the genteel evasions of life painted in watercolor. The general's foundling son may just be the latest in a long Gilbertian line; but the Jostling father, the middle-aged satyr with his subaltern dreams...
...Manhattan producers announced that they will soon try the onerous feat of bringing a lusty chunk of the stream of consciousness of Author James Joyce to Broadway. Their dramatic selection: the "Nighttown" portion of Joyce's phantasmagoric Ulysses, covering three hours in a Dublin bordello, most of it originally set down by Joyce in playscript form. Hard to read, harder to act, impossible to stage with its own wild flavor intact because of obvious censorship obstacles, "Nighttown" is bound to keep playgoers consulting not only programs but probably interpretive texts carried into the theater by the bushel and read...
...Against Oliver Smith's fine woodland set-a sort of field-and-stream of consciousness-the self-probing yielded moments both of sharp fantasy and of sharp perception. But an ultra-subjective method, which by now is a commonplace of fiction, has no proper place in drama. It is not just that drama works from the outside in, rather than vice versa, but that such mental voyaging, in the theater, is seldom sly, swift and aberrant enough to seem real, nor cumulative enough to be dramatic...
Geoffrey Holder (who plays the slave, Lucky) gave a fascinating stream-of-consciousness account of his feelings from the first rehearsal through last Friday's performance. Rex Ingram explained the religious significance of Pozzo's role and his own feeling of personal identification with the character. Earle Hyman (Didi), with his usual facile articulateness, talked about his own cultural reactions (including music and art), and later said, "I wouldn't have been able to learn my lines in this play unless every one of them meant something definite to me. . . .Nevertheless, I still consider myself a Shakespeare man" (a highly...
TIME'S Dec. 24 review of Baby Doll is sickening. When you say an admitted stream of carnal suggestiveness is fit for your readers' attention because it is expertly served up, you insult your reader's moral integrity by implying that he has none. Elia Kazan may have had puritanic motives, but look at the lewd billboard and newspaper ballyhoo that sings the seductive praises of Baby Doll. Who's kidding whom...