Word: stream
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Dates: during 1960-1969
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...Sorbonne during last May's student insurrection. All the while, the orchestra plays a convoluted version of the third movement from Mahler's "Resurrection" Symphony, as snippets of Debussy, Bach, Stravinsky and a dozen other composers float in and out of Berio's nightmarish stream of semiconsciousness. In one sense, the words do not matter; Berio is not interested in making a song. He is communicating a kind of life attitude that shrinks at the prospect of some unnamable terror. It is a musical collage of headlines persistently giving a warning of holocaust...
...Into the Stream. Violence-and university intransigence-were rejected by the special commission, under former U.S. Solicitor General Archibald Cox, that was appointed to investigate last spring's student rebellion at Columbia. Implicitly advising other school administrations on how to avoid such troubles, the Cox report contends that Columbia administrators had too often "conveyed an attitude of authoritarianism and invited distrust" of students and that the roots of unrest lay in a "deepseated dissatisfaction with Columbia life" among nonradical students and faculty. Cox concluded that "the survival of Columbia as a leading university depends upon finding ways of drawing...
...doorstep, and I will have a straight answer 20 years hence when I am asked, "Where were you when...?" I am also beginning to understand what the neutrality of scholarship really means in human terms; its euphemistic clarity is like that of a mountain stream: crystalline and shallow at the same time. Sincerely, (signed) Jon Livingston...
...first directing assignment with an attitude sensibly balanced between ambition and restraint. His subject matter, highly conducive both to boredom and pretension, is the plight of a 36-year-old virgin (at least the ads say she's 36), played by Joanne Woodward. He works in a straight stream-of-consciousness style, using quick flashbacks intended to depict in reasonable measure the drift of his main character's mind. Sometimes these are a little irritating, but rarely more than that, and sometimes they're downright effective. Newman's use of camera is, in contrast to the fancy editing, routinely tasteful...
...first forty-five minutes at the Brattle, and might alone be worth the price. Both are art-house standards, and worthily so. Luis Bunuel's first film, Un Chien Andalou (a 1928 collaboration with artist-entrepreneur Salvador Dali), will either fascinate or frustrate with its free-association stream of symbols. (If you get completely lost in these fifteen unusual minutes, just remember violence symbolizes sex, the dead mules on the piano symbolize sex, and ants symbolize masturbation.) Exploited sometimes as Bunuel's creation or more accurately as Dali's, Chien Andalou exhibits the most youthful characteristics in both. Dali...