Word: streamingly
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...drought has reduced parts of the mighty Mississippi to a slow, shallow stream, stalling barge traffic amid rocks and sandbars. But as the water recedes, the river bottom emerges, providing clues to a lost past. On an ugly beach of sand and clay in Arkansas, just downstream from Memphis, archaeologists have struck what they consider gold: large chunks of riverboats built in the late 1800s and long buried in silt...
...only mildly industrious and distinctly non-entrepreneurial. New Orleans has been known as a place content to make do with its natural endowments -- a great port on the Mississippi River, and a share of the state oil money, and a reputation for wickedness and charm that drew a steady stream of tourists for decades. For most of this century, New Orleans hasn't done much more than make do. It has never made a fetish out of equipping schools or paving streets. It has always had a lot of poor people; its rich people have never been seriously rich...
...gaggle of high-rise hotels -- hotels large enough to hold the sort of national conventions that could make every night in the French Quarter seem like the Saturday night of the Tulane-L.S.U. game. The French Quarter, particularly along its river edge, was slicked up for the increasing stream of visitors. As all of that began in the middle '70s. there was some grumbling about New Orleans turning into another Houston. My impression was not that New Orleans / was becoming much more like Houston but that it was becoming more like Houston's idea of what New Orleans ought...
...stream has not always been smooth. Born in Mississippi, Oprah (her name is an accidental misspelling of the Biblical character Orpah) shuttled for much of her childhood between her grandmother in Mississippi, her mother in Milwaukee and her father in Nashville. The time with her mother was the most traumatic: she suffered several instances of sexual abuse, the first at age nine by a 19-year-old cousin. Oprah revealed the incident in a now legendary segment of her talk show; today she says the abuse was "not a horrible thing in my life. There was a lesson...
Probably the hardest kind of crime novel to write is the exploration of the criminal mind from within, the stream of psychotic consciousness brought to its peak in past years by Julian Symons (The Players and the Game) and Ruth Rendell (Live Flesh). That sort of book has been attempted unsuccessfully this season by Robert B. Parker, whose uninsightful Crimson Joy (Delacorte; 211 pages; $16.95) suggests that he would do better to return to slam-bang action. Symons and Rendell, meanwhile, are represented by more conventional fare resurrecting characters from some of their earlier novels...