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Jean F. Meske Carol Stream...

Author: /time Magazine | Title: Letters: Jan. 11, 1982 | 1/11/1982 | See Source »

...says initially there is "no point" in talking about Miss Hellman, but nevertheless commences a stream of pointed criticisms. "Scoundrel Time? Listen to the title of the book. My book is called Mrs. Harris. Her book is called Scoundrel Time. I'm called judgmental," she says, laughing. "The whole book is an indictment.... Why doesn't somebody say, `You can't go around calling people scoundrels; that is not the way you deal with history.' And writing a whole book in order to prove that you are the most virtuous person...

Author: By Adam S. Cohen, | Title: A View From the Heights: Talking With Diana Trilling | 1/8/1982 | See Source »

...silent) satisfaction of the consumers, does not suggest a widespread desire for this culture of agreement. That assumption is substantial and sadly pessimistic. But it is hard to believe that human nature changed when the slogan "I Like Ike" appeared. More likely, technology's ability to pump a steady stream of "comfort" into every home rocketed. If that is the case, maybe Johnny Carson and People provide an opiate for the masses which masses don't wholly despise...

Author: By Daniel S. Benjamin, | Title: The Culture of No Culture | 1/7/1982 | See Source »

...sent to a military academy "to become a man"--why else?--amid his concern for the effectiveness for his payoffs, Robertson's Baldwin is, in character and enactment, as limited as only a Hollywood actor could imagine corporate America to be. Julie Newton, whose delivery of an endless stream of "Yes, sir's" would warm Patton's heart, has precisely the degree of emotionlessness one would require of a secretary. Unfortunately, one requires a bit more than that from an actress...

Author: By Laura K. Jereski, | Title: Finale, Finally | 12/16/1981 | See Source »

...sent to a military academy "to become a man"--why else?--amid his concern for the effectiveness of his payoffs, Robertson's Baldwin is, in character and enactment, as limited as only a Hollywood actor could imagine corporate America to be. Julie Newton, whose delivery of an endless stream of "Yes, sir's" would warm Patton's heart, has precisely the degree of emotionlessness one would require of a secretary. Unfortunately, one requires a bit more than that from an actress...

Author: By Laura K. Jereski, | Title: Finale, Finally | 12/16/1981 | See Source »

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