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...Much Sun. Then there was a stream-of-consciousness interview with Actor Michael Pollard, who made it plain that he is no different off-camera from the engagingly befuddled garage attendant he plays in Bonnie and Clyde. He left Los Angeles, he said, because "I just didn't like the sun shining all the time." As for his looks, "Man when I got into show business you know everybody started saying, 'You've got a beautiful face. Beautiful face.' So uh then hey I looked in the mirror and I said, 'Hey yeah. They...

Author: /time Magazine | Title: Magazines: Grownups in Hippieland | 1/5/1968 | See Source »

Draconian Directives. As Public Affairs Chief of the U.S. European Command, Ellis conceives AFN broadcasts to be an obedient arm of U.S. policy. From his office in Stuttgart has come a steady stream of Draconian directives, all in the interests of what he calls "preventive maintenance." In other words, Ellis decides in advance how AFN will play a sensitive story. In reporting the recent 35,000-man U.S. troop cut in West Germany, for example, he instructed AFN not to use "cut" or "withdrawal"; "redeployment" was the proper word. No longer could AFN refer to the National Liberation Front...

Author: /time Magazine | Title: Reporting: Under Military Control | 1/5/1968 | See Source »

...Guerre Est Finie by Alain Resnais. Resnais continues to employ a mosaic technique where flashbacks and quick montages of thoughts and objects are inserted, reaffirming Resnais' flair for visual stream of consciousness. Where Hiroshima Mon Amour used mostly flashbacks, La Guerre Est Finie's inserts are mostly flash-forwards: fears and premonitions of Diego, the middle-aged Spanish revolutionary, played so magnificently by Yves Montand. In sight and Sound, Tom Milne describes Diego as caught between two worlds "in more ways than one: between Spain and France, between youth and age, between the old Spain of the International Brigade...

Author: By Tim Hunter, | Title: The Ten Best Film of 1967 | 1/5/1968 | See Source »

With her son leading the way, Mrs. Gloria Goodman ran across the back yard, down a steep embankment to the edge of a small stream where the boys had been playing. Kenneth was nowhere in sight. But two snarling German shepherds and a stray boxer were. The dogs lunged. Mrs. Goodman kept them at bay with a rake, and Gene scrambled onto the limb of a fallen tree to escape their fanged jaws. "Don't let the dogs get me," he pleaded...

Author: /time Magazine | Title: Animals: Tragedy at Lynchburg | 12/29/1967 | See Source »

Gene shinnied along the limb until he was dangling about four feet above the stream. Thinking him safe, and unable to fend off the dogs, Mrs. Goodman ran back to the house and tele phoned her husband Eugene, 26, a self-employed exterminator who was working part time in a market at nearby Lynchburg. Goodman sped home in his pickup truck, found his wife hysterical and barely capable of pointing out to him the area where she had last seen Gene. Thrashing wildly down the hill and shouting his sons' names as he ran, Goodman was brought up short...

Author: /time Magazine | Title: Animals: Tragedy at Lynchburg | 12/29/1967 | See Source »

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