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...time and a fair number of laughs. Director Gerald Gutierrez has mined the big, handsome virtues in this deceptively modest play, putting a shine on everything from the show tunes and rock standards to the voices on Janie's telephone-answering machine (including the desperate plaints of Meryl Streep, in her best and most hilarious performance of the year), to the stagehands (who wear Acme Movers coveralls, then tuxedos, then jogging suits, as the scenic occasion demands). The cast is collectively splendid, with star-making performances by the two leads. Rose hits every mood, from rue to despair, with...

Author: /time Magazine | Title: Theater: Broadway's Big Endearment | 12/26/1983 | See Source »

This is a criticism one extends to Meryl Streep in the title role. She is an actress of calculated effects, which work well when she is playing self-consciously intelligent women. But interpreting a character who abandoned three children, shares a house with a rather shiftless boyfriend and a lesbian (Kurt Russell and Cher, both of whom are easier and more naturalistic performers) and shows her contempt for Authority by flashing a bare breast at its representative, she seems at once forced and pulled back...

Author: /time Magazine | Title: Cinema: A Tissue of Implications | 12/19/1983 | See Source »

...Meryl Streep effortlessy recreates Karen Silkwood as the simple, not-too-intelligent woman she most likely was: a woman who naively begins to fight corruption without ever grasping the magnitude of her struggle. Like her stunning Academy Award winning performance in Sophie's Choice, Streep delves wholeheartedly into her role, displaying nuances and foibles that make Silkwood believable. We feel her physical revulsion when she gets brutally showered and scrubbed after receiving radiation contamination; we see her go through the motions of a rather doldrum life, confront her roommate's homosexuality, and unconsciously adapt to the volatile world of union...

Author: By Rebecca J. Joseph, | Title: Uncomplicated Power | 12/15/1983 | See Source »

...furnished house. Her red hair, compulsive cigarette smoking and good-natured rambunctiousness are charming, and we gradually accept her character for what she is, not what she could be if she ignored the corruption and raised her three children from a common-law marriage who live with their father. Streep plays well off the other characters, featuring her rugged live-in boyfriend Drew (Kurt Russell) and her bizarre, sexually frustrated roommate Dolly (Cher). Both Russell and Cher turn in excellent performances, overcoming past stereotypes--Russell as the adventurous hero of Walt Disney stories, and Cher on the careening rock star...

Author: By Rebecca J. Joseph, | Title: Uncomplicated Power | 12/15/1983 | See Source »

...Streep's haunting singing of "Amazing Grace" at the end can captivate the viewer, as her clear and resounding voice reinforces her naive struggle against the establishment. Silkwood is not an enjoyable movie but is instead painful, especially during the scenes preceding Kevin's death. But on the other hand it plunges into the lives of Karen Silkwood and her friends without sensationalizing the struggle against bigger and more powerful foes. The poignant acting and cinematography make the film flow gently towards its graveyard end, while it is the actual story of Silkwood's life that leaves the deepest impression...

Author: By Rebecca J. Joseph, | Title: Uncomplicated Power | 12/15/1983 | See Source »

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