Word: streep
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...walks out on Dustin Hoffman and their son in Kramer vs. Kramer, an astonishing public clamor had set up around this almost gawky-looking blond, all bones and angles. When Kramer opened, the outcry redoubled. Though the script was weighted too much toward sympathy for Hoffman and the boy, Streep brought the film back into balance. By playing Joanna as a woman baffled and hurt not simply by her husband's shortcomings but by her own failures, she gave it a subtlety it would not have otherwise possessed...
...reviews of Kramer were rapturous, and she won an Academy Award for Best Supporting Actress. But the din from feature writers eager to probe her personal life was oppressive to Streep, a private person who feels (following the fashion of Actor Robert De Niro and some lordly professional athletes) that newsprint could wrap fish even better if reporters did not go through the messy and wasteful process of putting...
...while there it was either me or the Ayatullah on the covers of national magazines," she says with no pleasure. "It was excessive hype." Of course, the line between excessive hype and just the right amount of hype is difficult to draw in show business. But the excitement Streep stirs whenever she appears on a screen or a stage has nothing to do with puffery. It is a real, if sometimes clumsily expressed, response to an artist of rare skill and presence. Film Maker Robert Benton, who directed Streep in Kramer and a thriller called Stab, to be released next...
...viewer finds himself watching Meryl Streep much more closely than he is accustomed to watching actresses. More seems to be going on. It is not simply that she manages to make her face an astonishingly clear reflection of her character's complexities. It is not merely that this pale face, with its small, amused eyes and its nose long and curved as a flensing knife (when she kissed Alan Alda injudiciously in Tynan, this precarious nose displaced the flesh of his cheek up toward his eyeball), is poised fascinatingly between beauty and harshness. What makes the viewer sit forward...
...French Lieutenant's Woman, a film in which the sanity of her 19th century character is in grave doubt, what Streep manages to convey when she is not speaking is extraordinary. She is pleased with the performance. "I luff effrythink I do, darlink," she says, giving a brief Zsa Zsa Gabor imitation. Then she lapses into the somewhat prosy shoptalk of a college-educated actress: "When I read the book, it elicited an emotional reaction in me and I determined to re-create it for someone else through thinking and design, thought and craft. The arc I designed...