Word: streetcars
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RENEE FLEMING A Streetcar Named Desire...
...orchestras throughout the world, composed scores for Broadway (Coco) and Hollywood (Bad Day at Black Rock) and even written a dryly witty autobiography (No Minor Chords: My Days in Hollywood). Now he's finally got around to his first opera, a three-hour-long adaptation of Tennessee Williams' A Streetcar Named Desire, commissioned by the San Francisco Opera. Previn, who turned 69 in April, knows he's leading with his chin--nearly all the great opera composers of the past got started in their 20s or 30s--so he has taken out a classy piece of flop insurance: superstar soprano...
...soon as the performer walked into the wings, and could only be remembered, described, perhaps glimpsed in a third- or fourth-hand imitation. Now recordings, film and videotape form a permanent database of old-time show biz. A young actor can summon up Marlon Brando's performance in A Streetcar Named Desire instead of having to read about it as a part of the irretrievable past, remote as David Garrick's 18th century Hamlet...
RIDE OUT BOY AND SEND IT SOLID. FROM THE GREASY POLACK YOU WILL SOMEDAY ARRIVE AT THE GLOOMY DANE. Tennessee Williams' heartfelt (if politically incorrect) telegram to Marlon Brando, on the opening night of A Streetcar Named Desire 51 years ago, got it right and got it wrong. The young actor, in his first starring role, sent it solid all right--sent it immortally. His performance as Stanley Kowalski, later repeated on film, provided one of our age's emblematic images, the defining portrait of mass man--shrewd, vulgar, ignorant, a rapacious threat to all that is gentle and civilized...
Stanley Kowalski, for example, may be a brute. But he's also a funny brute, slyly, sexily testing the gentility and hypocrisies by which his sister-in-law, Blanche DuBois, lives as they contend for the soul of Stella, his wife and her sister. Streetcar's director, Elia Kazan, loved this performance because of the way Brando "challenges the whole system of politeness and good nature and good ethics and everything else." It was, of course, this rebelliousness that made Brando a hero to kids growing up in the '50s--and made him a star...