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...doubles play, Terry Clarke and Leslie Miller lost to Joanne Ruel and Cathy Streich, 1-6, 4-6. Diane Leary and Sheila Hopkins turned the tables in the second doubles, easing by their BC opponents Martha Moorhead and Betty Quigley...

Author: By Laura E. Schanberg, | Title: Netwomen End Perfect Season By Soaring Over B.C. Eagles, 6-1; Martha Roberts Stars | 10/28/1977 | See Source »

...LEONARD STREICH Catonsville...

Author: /time Magazine | Title: Letters: Mar. 1, 1968 | 3/1/1968 | See Source »

JUDY: I hardly think that is the way to refer to the music of the famous teutonic composer, Hans Werner Henze, especially when sung by the theremin-toned Rita Streich. Although not up to her performance in Die Zauberflote (Decca DL 9932, monaural, at the Coop), Miss Streich surely improves the score--which could stand as a musical composition by itself, even while it serves Resnais's most specific dramatic intentions...

Author: By Paul Williams, | Title: Muriel | 10/24/1964 | See Source »

...married Moffo, Lanfranchi took over the handling of her career. His services include the design of Moffo's shoes, clothes and 100 hats. "Without him," says one Italian, "she would still be a promising but struggling singer." ¶Dieter Berger, 40, who met his wife, Soprano Rita Streich, after the war when he was assistant stage manager at the Berlin State Opera, is an operatic husband who struggles to maintain an occupation of his own; he has a small motion-picture company and films TV travelogues where-ever Rita's engagements take them. As for his wife...

Author: /time Magazine | Title: Music: In Sickness & in Wealth | 8/1/1960 | See Source »

...silver-hued voice seems less moving in the role of the suffering Orpheus than the lyric baritone of Dietrich Fischer-Dieskau, imaginatively cast by Decca in its German-language version. The supporting casts in both albums are excellent: Sopranos Suzanne Danco and Pierette Alarie (Epic), Maria Stader and Rita Streich (Decca). Despite the good singing, the recordings suffer from the opera's basic structural fault. Groundbreaker though he was in his own day, Composer Gluck stuck too closely to wearisome, undramatic alternation of choral passages and recitatives, thus kept his often lovely work from stirring into full-bodied life...

Author: /time Magazine | Title: Music: New Records, Jul. 1, 1957 | 7/1/1957 | See Source »

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