Word: streisand
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Yentl. Gotta sing! Gotta dance! Gotta study that Talmud! Filling every function but set decorator on this lavish musical, Barbra Streisand transforms a tale of the shtetl into a moving metaphor for her own determination and talent...
Thank you for giving Barbra Streisand's Yentl the rave review it deserves [Nov. 21]. By directing this film, Streisand has met another challenge, proving that her talent is immeasurable...
...Yentl's thoughts turn from intellectual to sexual love, the songs are swimming strongly in the American pop mainstream. It is the most romantic, coherent and sophisticated original movie score since Gigi a quarter-century ago; and its treacherous glissandi and searching wit find their ideal interpreter in Streisand's incredible Flexible Flyer of a voice. After two decades of hard work, that voice is still as smooth as mercury poured over...
Yentl is a big, good-looking movie with only three main characters-a chamber piece played in a Crystal Palace that shivers in the soft focus of sexual ambiguity. As director, Streisand has seen to it that Yentl and Avigdor and Hadass don't get lost in the sumptuous locations and somber, classical mise en scene. Patinkin has harnessed his talent and energy; he can bounce off a bookcase in the thrall of scholarship, or sit tense and still as Avigdor tries to figure out the riddle of Anshel's identity. Amy Irving, of the honeyed voice...
Forget that Yentl is set in Eastern Europe. The film's true locus is the mind of Barbra Streisand, where the familiar conventions of the musical mix easily with the private compulsions of a born-again Jew who happens to be a Hollywood hot shot. On the evidence of Yentl, she has been other women as well: the adoring child listening to her papa, and now telling him what she has learned; the gawky teen-ager eyeing her less gifted rivals; the budding artist stretching the limits of craft and ego; the novice director showing tact and assurance behind...