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TRUE BELIEVER Directed by Joseph Ruben; Screenplay by Wesley Strick...

Author: /time Magazine | Title: Cinema: Beyond The Fringe | 2/20/1989 | See Source »

Neither is the plot in which writer Wesley Strick and director Joseph Ruben (himself something of a cult figure for The Stepfather two years ago) enmesh him. Eddie's main business may be straightforward enough: to free from Sing Sing a Korean American named Shu Kai Kim (Yuji Okumoto), who is doing hard, not to say life-threatening time for a murder he did not commit. But the path to belated justice is a sleazy maze, twisted as a paranoiac's logic. A key witness is a man who believes the telephone company assassinated John F. Kennedy...

Author: /time Magazine | Title: Cinema: Beyond The Fringe | 2/20/1989 | See Source »

...walked three batters and struck out two in 6 2-3 innings. Jay Baller surrendered Mike Brown's leadoff homer in the eighth, then Lee Smith took over and earned his 33rd save. Rick Reuschel, who had won four in a row, gave up three hits, walked one and strick out six in seven innings and fell...

Author: NO WRITER ATTRIBUTED | Title: Sports Wrap | 10/2/1985 | See Source »

More recent victims of back trouble have included Cyrus Vance, Edmund Muskie, Elizabeth Taylor, Joan Sutherland and Barbra Streisand. Sports figures suffer from back pain too. Golfer Lee Trevino and former New York Yankee Infielder Tony Kubek have been strick en. Earlier this year Hockey Center Stan Mikita of the Chicago Black Hawks was permanently sidelined by his aching back...

Author: /time Magazine | Title: That Aching Back! | 7/14/1980 | See Source »

Indeed, if translating Joyce to film appears, on the face of it, an impossible (and perhaps unnecessary) dream, it also seems that Strick, whose camera technique may be charitably described as primitive, is the wrong man to attempt the task. More than a decade ago, he gave us a Ulysses that suffered from the same dull defects. But there are, at least some inherently cinematic aspects to that novel, and the director's defects did not appear quite so plainly. In Portrait it becomes clear that Strick cannot even handle straightforward dramatic scenes energetically and forcefully...

Author: /time Magazine | Title: Cinema: Poor Likeness | 5/28/1979 | See Source »

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