Word: strindbergism
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...BATTLE WILL RAGE in the Quincy House JCR this weekend. The warriors will only brandish a toy pistol and a letter opener, but the combat will be fierce enough to keep the most listless audience enthralled. On this unlikely battlefield, a small, talented cast is presenting Strindberg's The Creditors. Not one blow is struck in this fine production, but it leaves the impression of a great carnage...
...felt hat pulled down to her ears, and drop her pom-pom girl impersonation for good. She established herself quickly as an actress at Vassar. She never seemed to care especially about being a star, recalls Clinton Atkinson, who directed her in the demanding lead role of Strindberg's Miss Julie. But it was clear that she would go beyond college theater. "Onstage," says Atkinson, "something happened within her that glowed. Men were always falling in love with her. I found her acting hair raising, absolutely mind-boggling...
Mediocrity seems to be the villain of this piece, especially to young, Jewish, New York avant-garde poet Ira Streiker played by Ray Sharkey with all of the obnoxious energy of a real-life poet whose name almost rhymes with Strindberg. In three short sequences, Sharkey opens up with the abrasive, honest creativity that soured critics and the general public to Bohemian art. He sours some of his friends, too, but his attempt to fight mediocrity with boldness stands out in a film that turns the lives of three vibrant, struggling, unusual people into three mud puddles...
...could look upon Elvis Costello's vision as anything but limited. But few would look for a comprehensive overview in August Strindberg, either. Immature and oversensitive, Elvis dehumanizes to keep from being dehumanized; he gives us nothing less than the genesis of evil. What we have in the music of Elvis Costello is an extraordinarily detailed delineation of the twists and turns of a single tortured, adolescent mind. It's not us, but it's not that far removed; you may feel it next time you masturbate. In "High Fidelity," Elvis gives us, for once, a moral afterthought, a vicious...
...more than just another gorgeous face. The typical Hollywood starlet may think that August Strindberg is a hot new agent, but Streep played Miss Julie at Vassar. Beginning her professional stage career in New York only four years ago, she conquered prized roles in Shakespeare (Measure for Measure, Henry V, The Taming of the Shrew), Chekhov (The Cherry Orchard) and Brecht-Weill (Happy End), as well as in works by Arthur Miller and Tennessee Williams. This repertory training came to Meryl because she was ready for it; her education went on in public, but critics and audiences did the learning...