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Dates: during 1960-1969
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...computer. Going into the final game of his three-year career last week, he had carried the ball more times (850) for more yards (3,606), more touchdowns (54) and more points (324) than anyone before him in the history of major-college football. He also had a string of 17 straight games in which he gained at least 100 yds. against defenses invariably keying...
...point of "down on this killin floor." Although the band is almost as wry as the Beatles in "Yer Blues" or "Helter Skelter," the result here as there does not prove durable. Led Zeppelin's only ostensible love song. "Thank You," is quite frustrating. Page assumes a twelve-string and Plant emulsifies his voice for such less than breathtaking lyrics as "If mountains should crumble into the sea/ There would still be you and me," and "Inspiration is what you are to me." But the inspiration is unfortunately bathetic, and the sanguine ending is a bit too Panglossian. "Thank...
...Polish Laboratory Theater is that it has forced drama critics to think about the nature of theater. The audience for the final play of a three-play series was limited to 40 people. This means that opening night was virtually a seminar in drama for the first-string critics of New York...
Demonic Strain. Such a string of disasters and scandals might well have sunk a less vital group. But last week, midway through a triumphal U.S. tour-their first in three years-Jagger and company were busy proving just how well they thrive on adversity. Selling out the Chicago International Amphitheatre twice in one night with its inimitable brand of gritty, Negro-derived blues, the group re-established itself as one of the most durable and original forces in rock. As usual, the music tapped the dark, demonic strain in human emotions, and as usual, the central figure was Jagger, gaunt...
Died. Boris Kroyt, 72, Russian-born viola virtuoso and for 31 years a pillar of the Budapest String Quartet; of cancer; in Manhattan. Ranked with Paul Hindemith and William Primrose as one of the viola's great masters, Kroyt joined the Budapest in 1936, and two years later the brilliant foursome traveled to the U.S., where their concerts and records raised chamber music to new heights of popularity. Their repertoire ran from the classical Beethoven and Brahms to moderns like Bartók and Milhaud, all played with a passion and Toscanini-like elegance that substantiated their preeminence...