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Word: stringed (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Burke Disabled. The Half-Mile Champion Lame in England. Setback to the Chances of Harvard and Yale." The article went on to explain the nature of Burke's ailment, an old stone bruise, and said," Burke is almost broken-hearted over the misfortune. Fortunately, Adams, the American second-string half-miler appears to be in superb condition...

Author: By William C. Sigal, | Title: This Spring's Track Meet Against Oxford-Cambridge Revives a Long Tradition | 5/21/1957 | See Source »

...ball to travel 60 ft. 6 in. from the pitcher's mound to the plate, Gil noted with surprise that Cleveland Southpaw Herb Score had failed to lean into his usual fluid follow-through. A fat pitch floated up, just knee-high. McDougald lashed it back, a string-straight drive that ended in the sickening sound of a baseball meeting human bone. Pitcher Score crumpled. Blood burst from his nose and mouth...

Author: /time Magazine | Title: Sport: Fastest & Finest | 5/20/1957 | See Source »

...Crimson's passing was notably erratic, enabling the Elis to dominate a game that should have been much closer. Even in the final quarter, when Yale sent in its third string the home team was unable to take control...

Author: By Kenneth Auchincloss, | Title: Crimson Lacrosse Team Overpowered By Eli Squad, 11-5 | 5/20/1957 | See Source »

Carrying his priceless Stradivarius cello* over his head like a toy. strapping (6 ft. 3½ in.) Virtuoso Gregor Piatigorsky threaded his way through the string section of the New York Philharmonic-Symphony one evening last week, settled himself into the soloist's chair by the podium and launched into a Cello Concerto newly written for him by his old friend Sir William Walton. If the piece itself seemed to ramble like a sun-warmed cow through sprawling masses of musical foliage. Piatigorsky's playing of it was a marvel of taste and tone. Under his sensitive hands...

Author: /time Magazine | Title: Music: Grischa & Sir William | 5/13/1957 | See Source »

...precisely this problem of balance that tripped up Bavicchi in his Sonata No. 2 for 'Cello and Piano. When the 'cello was playing on the top string, all was well; but again and again the piano writing totally smothered the less penetrating middle strings. The scherzo was stylistically consistent; but the other three movements were episodic and eclectic, the slow movement even starting with homage to Bloch's 'cello rhapsody Schelomo. Bavicchi anchored the first movement on recurrences of a sustained 'cello note punctuated by sharp jabs on the piano, which functioned like the trombone theme in Sibelius' Seventh Symphony...

Author: By Caldwell Titcomb, | Title: Piston Seminar Concert | 5/7/1957 | See Source »

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