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...hopefully we've turned [the Beanpot] around in making it 'our tournament' instead of BU's all the time," Tomassoni said. The Terriers had made the finals in each of the past ten years, but now the Crimson are working on its own string of three straight, and Tomassoni's conviction in his team's strength seems well-founded...

Author: By Darren Kilfara, | Title: Beanpot Victory All In A Night's Work | 2/10/1994 | See Source »

...many as an outdated European cultural import that held little relevance for contemporary Americans. Beset by high production costs, disastrous deficits, a declining talent pool and a static, aging repertory, American opera companies seemed to be the dinosaurs of arts organizations. In the past few years, however, a string of important and popular new works by composers as disparate as John Corigliano, Philip Glass and William Bolcom has helped improve opera's artistic fortunes. At the same time, audacious native-born stage directors like Peter Sellars and Francesca Zambello have replaced the old histrionic semaphoring with bold, psychologically penetrating productions...

Author: /time Magazine | Title: Making Opera Pay, the Chicago Way | 2/7/1994 | See Source »

...Chicago, where Ardis Krainik, a former actress, chorister and secretary turned iron- fisted administrator, is today running one of the country's most successful and innovative mainstream companies. Since 1981, when she succeeded the late Carol Fox as general director of the Lyric, Krainik, 64, has presided over a string of seasons notable not only for their high musical quality, formidable star power and adventurous repertory, but also for their happy balance sheets and sold-out houses. "Rudolf Bing ((the late general manager of the Metropolitan Opera)) once said there's never an artistic decision without a financial repercussion," says...

Author: /time Magazine | Title: Making Opera Pay, the Chicago Way | 2/7/1994 | See Source »

Sustaining that kind of songwriting over such a long string of records must involve far more mental work than the finished products show; it reminds me of Superman's party trick of turning lumps of coal into diamonds. The Dentists' powers aren't dissimilar; they are using the normal musical fuels-four boys, no girls, two guitars, verse/ chorus/ verse/ chorus/ bridge/ verse/ chorus, two or three riffs per song, and one memorable line to provide the title--raw materials more common in the pop music "underground" than coal under the real ground. And their lyrical and emotional raw materials...

Author: By Steve L. Burt, | Title: ONE CHORD WONDERS | 2/3/1994 | See Source »

...three, four--forks. There was a seafood flatula stuffed with fat shrimp, and salad made from what seemed like pesky courtyard weeds. To cleanse the palate of residual flavors, there was a trou normand lime sorbet. Dining Services Czar Michael Berry made the rounds, and a string quartet made stately, playing pieces by classical composers. But the kicker was neither the food nor the ambience. The kicker was the wine. three kinds. A hearty but slightly sour red, a 1991 white, and something called grenache. And so lots of folks, FM included, got drunk...

Author: NO WRITER ATTRIBUTED | Title: Take the G - Train | 2/3/1994 | See Source »

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