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Remix of “Adagio for Strings?? by Samuel Barber, “Every Breath You Take” by the Police and the American spiritual “I’ll Fly Away?...

Author: By Rachel A. Burns, Jeffrey W. Feldman, Ama R. Francis, Jessica R. Henderson, Joshua J. Kearney, Eunice Y. Kim, Chris R. Kingston, Ali R. Leskowitz, Beryl C.D. Lipton, Monica S. Liu, Ryan J. Meehan, Antonia M.R. Peacocke, Erika P. Pierson, Bram A. Strochlic, Mark A. VanMiddlesworth, and Denise J. Xu, CRIMSON STAFF WRITERS | Title: Editor's Picks 2009 | 12/4/2009 | See Source »

...looked down at the contraption. I had a hard on. I had a vibrator. I could fuck Miss Lee-Lee and get off at the same time. It was perfect. But as I looked at her reclined body—her elbows and knees and ankles laced through leather strings??I knew that I still had some questions...

Author: By Kathleen E. Hale, CRIMSON STAFF WRITER | Title: FICTION: Finagled | 4/16/2009 | See Source »

...unfortunately a little insecure, but it hardly detracted from the exhilarating performance. After the intermission, the orchestra played Felix Mendelssohn’s third symphony, “Scottish.” The violins rescued the shaky opening solo by the violas, leading the strings?? lyricism throughout the tragic movement. The violins continued to play with convincing urgency for the duration of the piece, but the lower strings couldn’t muster much support. The lively second movement was buoyant with running 16th notes in the strings like a motor beneath the orchestra. The speed occasionally...

Author: By Matthew H. Coogan, CONTRIBUTING WRITER | Title: HRO Does the Airplane for Dr. Yannatos | 11/3/2008 | See Source »

...Lover.” Things slow down toward the second half with the excusable ballad “This Time”—a return to the piano-driven, earnest love song Legend has mastered, except this time backed by even sappier strings??and the sweeter, stronger tunes “Take Me Away” and “I Love, You Love.” The album reaches a romantic high point with the seductive slow jam “Good Morning.” Legend’s largely cohesive offering is jarred...

Author: By Zoë Morrison, CONTRIBUTING WRITER | Title: John Legend | 10/31/2008 | See Source »

...Kovalevska strode gracefully to the left of the podium and nodded slightly to Levine before he struck the downbeat of the Letter Scene from Tchaikovsky’s opera, “Eugene Onegin.” The young artist’s first entrance thirty seconds into the strings?? introductory tremolo was rather shaky, as if she had been caught off-guard. Although the orchestra tended to overpower her voice at times, Kovalevska delivered a very musical interpretation of the scene. With her sleek brown hair half-pulled back, her high, sustained notes tugged at the audience?...

Author: By June Q. Wu, CRIMSON STAFF WRITER | Title: BSO Shines On Opening Night | 9/29/2008 | See Source »

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