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Coggan began his career in a working-class parish, and as a bishop has kept contact with ordinary folk by visiting breweries, mines and shipyards. He occasionally dons a cassock, but generally wears a simple pin-stripe suit with purple vest. Says he: " 'Your Grace' and all that doesn't mean very much to me. It's not the label on the bottle but what's inside that matters...

Author: /time Magazine | Title: Religion: An Evangelical Ascends | 5/27/1974 | See Source »

...with two minutes left in the half, the swivel-hipped Cochran picked up a loose ball just before the midfield stripe. Sifting through the entire N.U. defense she took it in the rest of the way, and Radcliffe walked off at halftime trailing by only...

Author: By Andrew P. Quigley jr., | Title: Radcliffe Laxwomen Lose Heartbreaker, 6-5, Despite Strong Efforts by Johnson, Cochran | 5/14/1974 | See Source »

Without introduction, the tall, lean candidate in his dark-rimmed glasses and conservatively cut pin-stripe suit, appearing more like a professor than a politician, strode toward the podium. Only a huge photo of him and his 14-year-old daughter decorated the former chapel of a convent in Colmar. Then quickly, his hands clasped behind his back, Finance Minister Valéry Giscard d'Estaing, 48, broke into the pedantic delivery that has become a trademark in his campaign to succeed the late Georges Pompidou as President of France...

Author: /time Magazine | Title: FRANCE: On the Right: A Duel of Images | 5/6/1974 | See Source »

Other individual standouts for Harvard were Andy Gellis, with two goals and an assist; Bruce Bruckman who added two scores; A1 Costello, again with two; and defenseman Mike Belmont, who crossed the midfield stripe to claim an assist...

Author: By Philip Weiss, | Title: Stickmen Top MIT, 16-2, To Record First Triumph | 5/2/1974 | See Source »

Contrary to ad campaigns and criticism, the makers ofThe Seven-Ups, The Laughing Policeman and Magnum Force do not call for law-and-order. They don't, in fact, have enough time to espouse politics or ideology of any stripe. They're not even interested in plot or drama, only in speed and thump. Their stories are alibis for sensationalistic action, and they re-enact the most heinous crimes out of love for the box office. These films are really B pictures, camouflaged with a smear of realism, padded with car chases and gadgetry to hold their audiences...

Author: By Michael Sragow, | Title: Speed and Thump | 3/7/1974 | See Source »

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