Word: stritch
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Dates: during 1950-1959
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...Americans had been virtually sure to get a red hat: Archbishop Albert Gregory Meyer, 56, appointed last September to succeed Chicago's late Samuel Cardinal Stritch as head of the largest Catholic archdiocese in the U.S. (1,942,000 members). Shy, scholarly Archbishop Meyer, son of a Milwaukee grocer, is known as a brilliant administrator and a cautious interviewee-on his appointment to Chicago he refused to say whether he would transfer his allegiance from the Milwaukee Braves to the Chicago Cubs. Met by a crowd of newsmen and clerics at a Chicago airport last week, as he returned...
...Appointed Bishop William E. Cousins of Peoria, Ill. archbishop of Milwaukee to replace Archbishop Albert G. Meyer, who was transferred to Chicago (TIME. Oct. 6) to succeed the late Samuel Cardinal Stritch. Milwaukee's new archbishop, 56, a native Chicagoan, was auxiliary to Cardinal Stritch from 1949 until...
Gregory Peter XV Cardinal Agagianian, 63, Patriarch of Cilicia of the Armenians, an Oriental rite communion of the Roman Catholic Church with headquarters near Beirut. Generally considered one of the best brains in the church, Agagianian was appointed by Pope Pius XII to succeed the late Cardinal Stritch as chief of all Catholic missions, is the church's top expert on the Mideast and Communism. His Russian-Armenian origin, which militates against his choice, in another respect weighs in his favor: his election would greatly impress Russians and other Eastern peoples...
Goldilocks has a professional air, from the period brightness of the Peter Larkin sets and Castillo costumes to the sound showmanship-hers all energy, his all ease -of Elaine Stritch and Don Ameche. Dancer Pat Stanley is piquant, and the best of Agnes de Mille's dances and ballets are stylish. No One'll Ever Love You is a sassy duet, The Beast in You an amusing ditty. Walter Kerrs staging is lively and firm, and here a quip and there a crack bears Jean (Please Don't Eat the Daisies) Kerr's dewy, screwy touch...
...nostalgia than satire. Out of early films Goldilocks fetches up some indulgent laughs, but never any period lure. And Goldilocks rather fits the formula it at one point joshes: it is "first of all a love story, a tale of two lovers in love with each other." The Stritch-Ameche romance has none of the sogginess of musicomedy librettos, but it has their dogged, round-the-mulberry-bush complications. Despite nice up-to-date frills and out-of-date furbelows, Goldilocks has neither a 1958 freshness nor a 1913 charm; it has chiefly Broadway know...