Word: strobing
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...Paris, chief negotiator of the 1963 Limited Test Ban Treaty and Ambassador to Moscow. Always a blunt and clear-eyed evaluator of Soviet intentions, Harriman recently returned to Moscow for a three-hour private discussion with Leonid Brezhnev in the Kremlin. In an interview last week with TIME Correspondent Strobe Talbott, he discussed the state of U.S.-Soviet relations...
TIME presents a second installment of excerpts from Khrushchev Remembers: The Last Testament, to be published in June by Little, Brown & Co. Based on tape recordings made by former Soviet Leader Nikita Khrushchev during the last years of his life, the book was translated and edited by TIME Correspondent Strobe Talbott and has introductions by Soviet Affairs Expert Edward Crankshaw and TIME Diplomatic Editor Jerrold L. Schecter...
...published in June by Little, Brown & Co. Like its predecessor, Khrushchev Remembers, the new book is based on tapes dictated by the late Soviet leader during the years before his death in 1971 and is a historical document of enormous value. The tapes were translated and edited by Strobe Talbott, who has served as TIME correspondent in Eastern Europe. In the introduction to The Last Testament, Diplomatic Editor and former Moscow Bureau Chief Jerrold L. Schecter reveals for the first time the circumstances under which Khrushchev recorded his memoirs. These revelations are previewed in TIME's excerpts. In addition...
During the last four years of his life, Khrushchev dictated his reminiscences into a tape recorder. Transcriptions of the tapes, translated and edited by TIME Correspondent Strobe Talbott, formed the basis of Khrushchev Remembers, which was published by Little, Brown & Co. in 1970. TIME's new excerpts, from a sequel called Khrushchev Remembers: The Last Testament, a Little, Brown book that will go on sale in June, are also taken from tape recordings made by Khrushchev...
...movie's special effects can't be duplicated on stage, but they are skillfully replaced by a barrage of techniques including microphones, film projection, and smoke bombs. Director Larry Artenian has managed to pull off old tricks in new ways--for example, a strobe light chase scene in the castle of the Wicked Witch--almost steals the show. But if the special effects are original, the actors' costumes and accents aim to be just like the movie. The Tin Man is perfect down to the silver paint on his eyelids, and if the winged monkeys look a little like bellhops...