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...audience feels assured that she will be unanimously acquitted. Best shot: New Year's Eve in Vienna. Glorifying the American Girl (Paramount). A long time ago, when this picture was first planned. Florenz Ziegfeld was going to direct it himself. Then it was rumored that Erich von Stroheim had the job. Now J. P. McEvoy and Director Millard Webb have done the story and Irving Berlin, with three others, the music. It is a dull, shaky graph of a department store employe's rise to theatrical fame. Mary Eaton's pretty legs support a corner...

Author: /time Magazine | Title: Cinema: The New Pictures Jan. 27, 1930 | 1/27/1930 | See Source »

...Trespasser in Berlin. For two years he had consistently refused to write music for cinema production, but so impressed was he with the Swanson singing that last week he agreed to compose music for Queen Kelly, an unlucky Swanson vehicle- started two years ago, exhausting two directors (Von Stroheim and Goulding) and millions of dollars, still unfinished. Because in childhood an astrologer warned against sea voyages, Composer Lehar, 60, will not travel to California for the recording. No novice at singing, Gloria Swanson has studied intermittently since her Chicago schooldays. Only when Mack Sennett offered her a cinema contract...

Author: /time Magazine | Title: Music: Swanson Operetta | 1/20/1930 | See Source »

...most unfortunate effect of the demand for musical interpolations is to be found in "The Great Gabbo" in which Erich von Stroheim is starred. Here was a striking and original dramatic idea about an arrogant ventriloquist who could only be human when talking through the mouth of his dummy and finally became so jealous of the little figure that he broke it and felt himself a murderer. Since the story belonged legitimately enough backstage there had to be a series of chorus numbers, with the result that the drama was entirely submerged. Most screen plots, of course, are not worth...

Author: By Richard WATTS Jr., | Title: Talkies Even More Uniform Than Silent Productions--Backstage, College Lead | 11/23/1929 | See Source »

...Great Gabbo (Sono-Art) As a ventriloquist in silk stockings and a dinner shirt, Erich von Stroheim keeps his round, bristle-covered head unbowed under bludgeonings written for him by Ben Hecht. He is in love with the girl who helps him in his act. Off stage he cannot tell her what he feels - something makes him abuse her and act mean, but in the act he throws his voice into the dummy and lets it express his love. The imagery giving power to this anecdote was certainly apparent to von Stroheim. He started out to act it stiffly...

Author: /time Magazine | Title: Cinema: The New Pictures Sep. 23, 1929 | 9/23/1929 | See Source »

When Erich von Stroheim first turned up in Hollywood, a polite, conceited fellow in high collars and without hair, he gained attention over other European adventurers looking for a fortune in the movies because he knew something about military etiquette. He had been to a cadet school in Austria, had served in a crack imperial regiment. After advising directors on the proper management of uniforms and parades, he began to act in pictures himself-stared through a monocle, fought duels, smoked the longest cigarets ever photographed kinetically; was billed as "The Man You Love to Hate". Not satisfied, he became...

Author: /time Magazine | Title: Cinema: The New Pictures Sep. 23, 1929 | 9/23/1929 | See Source »

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