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Word: stroheim (lookup in dictionary) (lookup stats)
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...There's some hope left. Butbefore we get too excited and lose sight of whythe restoration effort had to occur in the firstplace, just remember what Welles had to say abouthis troubles: I'm not bitter about Hollywood'streatment of me, but over its treatment ofGriffith, von Sternberg, Von Stroheim, BusterKeaton and a hundred others...

Author: By Jen S. Wu, CONTRIBUTING WRITER | Title: Bye Mancini, Hello Mariachi | 10/2/1998 | See Source »

...wheedles himself a cushy job editing the epic Norma Desmond has written as a "return" vehicle for herself. His every need is attended by her slavishly devoted butler, Max (Erich von Stroheim), who erases his own identity in the service of "Madame." As the days wear on, a pattern develops: As the days wear on, a pattern develops: Joe learns never to refuse Norma what she wants, and, like a vampire, she seems to gain vitality and optimism as he loses...

Author: By Sorelle B. Braun, | Title: Ready for Their Close-ups | 4/13/1995 | See Source »

Though Holden and von Stroheim are powerful foils to Swanson's persona, Wilder and his camera wisely sweep them to the edges of the screen to focus on Norma. Swanson's performance is something beyond acting; her Norma lives every moment on two planes, in the mundane world and on celluloid. She has a habit of pausing almost unnoticeably as she speaks, giving the effect of a flickering silent film, posing briefly for the camera, then continuing...

Author: By Sorelle B. Braun, | Title: Ready for Their Close-ups | 4/13/1995 | See Source »

Until now, Frank Norris' 1899 novel was best known as the inspiration for Erich von Stroheim's 1924 silent epic Greed. Bolcom has given the material a brash, distinctive voice. His score evokes turn-of-the-century America in a slick, seamless potpourri of retro modernism, long, loose-limbed melodies and irresistible rhythmic invention...

Author: /time Magazine | Title: Score Another For Americans | 11/23/1992 | See Source »

Frank Norris' novel McTEAGUE is a panorama of the U.S. at the turn of the century: cowboys, gold mines, the immigrant experience, the advent of electricity and the movies. At the core is a gruesome cautionary tale, aptly retitled Greed by Erich Von Stroheim when he made a nine-hour film of it in 1923. The book is both bad and great, its prose lopsided and its effects crude, its power and pathos undiminished. In adapting it anew, California's Berkeley Repertory Theater has retained all the virtues and many of the faults. The first half of Neal Bell...

Author: /time Magazine | Title: Theater: A Tale of Downward Mobility | 2/3/1992 | See Source »

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