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...work well together in the action scenes that require shooting and keeping track of the money. In scenes requiring extended dialogue, they lapse. When carol goes to visit Doc in prison, her demeanor screams "Barbie on a business trip." She seems like she is visiting her agent before a stroll down the runway of a fashion show. Her tone is flat, her acting bland and the expression in her eyes show profound fixation--on the telepromptor. It is only in the sex scenes that we remember that they are married lovers...

Author: By Deborah E . kopald, | Title: High Camp | 2/24/1994 | See Source »

True, this restriction slightly differs from other interhouse restrictions in that it singles out the students of 29 Garden St. But what the staff overlooks in its specious Weld analogy is that no kid in his right mind would stroll up across Cambridge Common in the driving sleet at 7 a.m. just to get Currier's waffles. Show me a Yardling who voluntarily dines at the Quad and I'll show you an admissions mistake...

Author: By Edward F. Mulkerin iii, | Title: Residents of 29 Garden St. Could Use the Fresh Air | 2/3/1994 | See Source »

...youngster played Lazy Day, a Sunday stroll of a song, with a drowsy trumpet and laid-back raps by Kobie Powell. In the background were R. and B. vocals, gliding over the song like a bird though a blue sky. "Isn't it great?" the fan said. "US 3 takes jazz-rap to a new level of sophistication. The Blue Note jazz label let the producers use its entire catalog as source material...

Author: /time Magazine | Title: Rap's New Jazz Messengers Us | 1/24/1994 | See Source »

Exit the Lowell courtyard and stroll into the Yard, and you're again reminded of our intrepid final club brothers. Ah, me. A young man runs up the steps of the library, carrying a keg atop his head. He's made it to the top, and is sounding a barbaric yawp! Hurrah! Three cheers for the old boys...

Author: By Joanna M. Weiss, | Title: Neon Kudzu | 12/4/1993 | See Source »

...entertainment is starting to bloom where movies did nearly a century ago: in the arcades. A penny in the slot once offered streetwise strollers a peek at Fatima's dance; now $4 to $30 gets you a sleigh ride on a space ship (in Cybergate) or a fretful stroll through a computerized Acropolis (in Dactyl Nightmare, by Virtuality). And why not the arcades? Video games are a $5.3 billion business in the U.S., about as large as the theatrical movie market...

Author: /time Magazine | Title: Look! Up on the screen! It's a galaxy! It's a killer robot! It's . . . VIRTUAL, MAN! | 11/1/1993 | See Source »

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