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...instance, in several sequences the Groove Tube camera plays cleverly with fingers that walk around like the Yellow Pages fingers; it follows them with close-up as they mimic perfectly the actions of a man meeting a woman on a stroll, in one sequence, and in another, they imitate a ballet dancer roaming over hills. In both sequences it's an interesting idea that is executed well-but Groove Tube's leering humor makes the first sequence depend on the appearance of a thumb between one pair of finger-legs and upon the inevitable seduction, while in the other sequence...

Author: By Bill Beckett, | Title: Underground Television Groove Tube At the Video Theater, 24 Brighton Avenue, Boston. | 3/5/1971 | See Source »

...ever-present pain of growing old. It is an influence freely and proudly conceded by the composers. One thing most of the songs have in common is a relentless rhythmic build-up from a quiet beginning. Burn Down the Mission, for example, starts out like' a country stroll and ends like a hell-bent Georgia stagecoach...

Author: /time Magazine | Title: Music: Handstands and Fluent Fusion | 12/14/1970 | See Source »

...children are to gain some undistorted knowledge of society, and of themselves, television must change. Producers could do no better than stroll by Sesame Street, or better still, watch the way a child creates works of power and imagination­by drawing flat but seeing round...

Author: /time Magazine | Title: Television: Who's Afraid of Big, Bad TV? | 11/23/1970 | See Source »

...that on some other page the So-and-So fellowship is now worth $X-thousand as opposed to $Y-thousand. The questions that followed were about as interesting, and, less than five minutes after Mr. Fox had started, members of Harvard '71, myself included, began to stroll...

Author: By Frank Rich, | Title: Autumn After Harvard-What? | 9/30/1970 | See Source »

Some scenes, like a blue-lit stroll down the Faubourg, like a dance-hall in which two silk-swathed women dance a drunken, passionate tango, like an amphitheatre-like hospital for the mentally ill where the whiteness of the walls is relieved only by the paleness of pallid flesh, are demonically spell-binding. In fact, the succession of images-a giant stone head of Mussolini dragged across a bridge by two motorcycles, the fire-lit nude body of a homosexual eating dead cats amid the ruins of the Forum, Trintignant's eyes-recalls Fellini Satyricon in their bizarre intensity...

Author: By Martin H. Kaplan, | Title: The New York Film Festival Twelve Nights in a Dark Room: You Can't Always Get What You Want | 9/29/1970 | See Source »

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